Existentialism In Film Essays On Abortion

"Existential" redirects here. For the logical sense of the term, see Existential quantification. For other uses, see Existence (disambiguation).

Not to be confused with Essentialism.

Existentialism ()[1] is a tradition of philosophical enquiry associated mainly with certain 19th and 20th-century European philosophers who, despite profound doctrinal differences,[2][3][4] shared the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual.[5] While the predominant value of existentialist thought is commonly acknowledged to be freedom, its primary virtue is authenticity.[6] In the view of the existentialist, the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world.[7] Many existentialists have also regarded traditional systematic or academic philosophies, in both style and content, as too abstract and remote from concrete human experience.[8][9]

Søren Kierkegaard is generally considered to have been the first existentialist philosopher,[2][10][11] though he did not use the term existentialism.[12] He proposed that each individual—not society or religion—is solely responsible for giving meaning to life and living it passionately and sincerely, or "authentically".[13][14] Existentialism became popular in the years following World War II, and strongly influenced many disciplines besides philosophy, including theology, drama, art, literature, and psychology.[15]

Definitional issues and background[edit]

The term is often seen as a historical convenience as it was first applied to many philosophers in hindsight, long after they had died. In fact, while existentialism is generally considered to have originated with Kierkegaard, the first prominent existentialist philosopher to adopt the term as a self-description was Jean-Paul Sartre. Sartre posits the idea that "what all existentialists have in common is the fundamental doctrine that existence precedes essence", as scholar Frederick Copleston explains.[16] According to philosopher Steven Crowell, defining existentialism has been relatively difficult, and he argues that it is better understood as a general approach used to reject certain systematic philosophies rather than as a systematic philosophy itself.[2] Sartre himself, in a lecture delivered in 1945, described existentialism as "the attempt to draw all the consequences from a position of consistent atheism".[17]

Although many outside Scandinavia consider the term existentialism to have originated from Kierkegaard himself, it is more likely that Kierkegaard adopted this term (or at least the term "existential" as a description of his philosophy) from the Norwegian poet and literary critic Johan Sebastian Cammermeyer Welhaven.[18] This assertion comes from two sources. The Norwegian philosopher Erik Lundestad refers to the Danish philosopher Fredrik Christian Sibbern. Sibbern is supposed to have had two conversations in 1841, the first with Welhaven and the second with Kierkegaard. It is in the first conversation that it is believed that Welhaven came up with "a word that he said covered a certain thinking, which had a close and positive attitude to life, a relationship he described as existential".[19] This was then brought to Kierkegaard by Sibbern.

The second claim comes from the Norwegian historian Rune Slagstad, who claims to prove that Kierkegaard himself said the term "existential" was borrowed from the poet. He strongly believes that it was Kierkegaard himself who said that "Hegelians do not study philosophy 'existentially'; to use a phrase by Welhaven from one time when I spoke with him about philosophy".[20]

Concepts[edit]

Existence precedes essence[edit]

Main article: Existence precedes essence

Sartre claimed that a central proposition of Existentialism is that existence precedes essence, which means that the most important consideration for individuals is that they are individuals—independently acting and responsible, conscious beings ("existence")—rather than what labels, roles, stereotypes, definitions, or other preconceived categories the individuals fit ("essence"). The actual life of the individuals is what constitutes what could be called their "true essence" instead of there being an arbitrarily attributed essence others use to define them. Thus, human beings, through their own consciousness, create their own values and determine a meaning to their life.[21] Although it was Sartre who explicitly coined the phrase, similar notions can be found in the thought of existentialist philosophers such as Heidegger, and Kierkegaard:

"The subjective thinker’s form, the form of his communication, is his style. His form must be just as manifold as are the opposites that he holds together. The systematic eins, zwei, drei is an abstract form that also must inevitably run into trouble whenever it is to be applied to the concrete. To the same degree as the subjective thinker is concrete, to the same degree his form must also be concretely dialectical. But just as he himself is not a poet, not an ethicist, not a dialectician, so also his form is none of these directly. His form must first and last be related to existence, and in this regard he must have at his disposal the poetic, the ethical, the dialectical, the religious. Subordinate character, setting, etc., which belong to the well-balanced character of the esthetic production, are in themselves breadth; the subjective thinker has only one setting—existence—and has nothing to do with localities and such things. The setting is not the fairyland of the imagination, where poetry produces consummation, nor is the setting laid in England, and historical accuracy is not a concern. The setting is inwardness in existing as a human being; the concretion is the relation of the existence-categories to one another. Historical accuracy and historical actuality are breadth." Søren Kierkegaard (Concluding Postscript, Hong pp. 357–58)

Some interpret the imperative to define oneself as meaning that anyone can wish to be anything. However, an existentialist philosopher would say such a wish constitutes an inauthentic existence - what Sartre would call 'bad faith'. Instead, the phrase should be taken to say that people are (1) defined only insofar as they act and (2) that they are responsible for their actions. For example, someone who acts cruelly towards other people is, by that act, defined as a cruel person. Furthermore, by this action of cruelty, such persons are themselves responsible for their new identity (cruel persons). This is as opposed to their genes, or human nature, bearing the blame.

As Sartre writes in his work Existentialism is a Humanism: "... man first of all exists, encounters himself, surges up in the world—and defines himself afterwards". The more positive, therapeutic aspect of this is also implied: A person can choose to act in a different way, and to be a good person instead of a cruel person. Here it is also clear that since humans can choose to be either cruel or good, they are, in fact, neither of these things essentially.[22]

Sartre's definition of existentialism was based on Heidegger's magnum opus "Being and Time". In a set of letters, Heidegger implies that Sartre misunderstood him for his own purposes of subjectivism, and that he did not mean that actions take precedence over being so long as those actions were not reflected upon. This way of living, Heidegger called "average everydayness".

The Absurd[edit]

Main article: Absurdism

The notion of the Absurd contains the idea that there is no meaning in the world beyond what meaning we give it. This meaninglessness also encompasses the amorality or "unfairness" of the world. This contrasts with the notion that "bad things don't happen to good people"; to the world, metaphorically speaking, there is no such thing as a good person or a bad person; what happens happens, and it may just as well happen to a "good" person as to a "bad" person.[23]

Because of the world's absurdity, at any point in time, anything can happen to anyone, and a tragic event could plummet someone into direct confrontation with the Absurd. The notion of the Absurd has been prominent in literature throughout history. Many of the literary works of Søren Kierkegaard, Samuel Beckett, Franz Kafka, Fyodor Dostoyevsky, Eugène Ionesco, Miguel de Unamuno, Luigi Pirandello,[24][25][26][27]Jean-Paul Sartre, Joseph Heller and Albert Camus contain descriptions of people who encounter the absurdity of the world.

It is in relation to the concept of the devastating awareness of meaninglessness that Albert Camus claimed that "there is only one truly serious philosophical problem, and that is suicide" in his The Myth of Sisyphus. Although "prescriptions" against the possibly deleterious consequences of these kinds of encounters vary, from Kierkegaard's religious "stage" to Camus' insistence on persevering in spite of absurdity, the concern with helping people avoid living their lives in ways that put them in the perpetual danger of having everything meaningful break down is common to most existentialist philosophers. The possibility of having everything meaningful break down poses a threat of quietism, which is inherently against the existentialist philosophy.[28] It has been said that the possibility of suicide makes all humans existentialists.[29]

Facticity[edit]

Main article: Facticity

Facticity is a concept defined by Sartre in Being and Nothingness as the in-itself, which delineates for humans the modalities of being and not being. This can be more easily understood when considering facticity in relation to the temporal dimension of our past: one's past is what one is, in the sense that it co-constitutes oneself. However, to say that one is only one's past would be to ignore a significant part of reality (the present and the future), while saying that one's past is only what one was, would entirely detach it from oneself now. A denial of one's own concrete past constitutes an inauthentic lifestyle, and the same goes for all other kinds of facticity (having a human body — e.g., one that doesn't allow a person to run faster than the speed of sound — identity, values, etc.).[30]

Facticity is both a limitation and a condition of freedom. It is a limitation in that a large part of one's facticity consists of things one couldn't have chosen (birthplace, etc.), but a condition of freedom in the sense that one's values most likely depend on it. However, even though one's facticity is "set in stone" (as being past, for instance), it cannot determine a person: The value ascribed to one's facticity is still ascribed to it freely by that person. As an example, consider two men, one of whom has no memory of his past and the other who remembers everything. They both have committed many crimes, but the first man, knowing nothing about this, leads a rather normal life while the second man, feeling trapped by his own past, continues a life of crime, blaming his own past for "trapping" him in this life. There is nothing essential about his committing crimes, but he ascribes this meaning to his past.

However, to disregard one's facticity when, in the continual process of self-making, one projects oneself into the future, that would be to put oneself in denial of oneself, and thus would be inauthentic. In other words, the origin of one's projection must still be one's facticity, though in the mode of not being it (essentially). An example of one focusing solely on one's possible projects without reflecting on one's current facticity:[30] if one continually thinks about future possibilities related to being rich (e.g. a better car, bigger house, better quality of life, etc.) without considering the facticity of not currently having the financial means to do so. In this example, considering both facticity and transcendence, an authentic mode of being would be considering future projects that might improve one's current finances (e.g. putting in extra hours, or investing savings) in order to arrive at a future-facticity of a modest pay rise, further leading to purchase of an affordable car.

Another aspect of facticity is that it entails angst, both in the sense that freedom "produces" angst when limited by facticity, and in the sense that the lack of the possibility of having facticity to "step in" for one to take responsibility for something one has done, also produces angst.

Another aspect of existential freedom is that one can change one's values. Thus, one is responsible for one's values, regardless of society's values. The focus on freedom in existentialism is related to the limits of the responsibility one bears, as a result of one's freedom: the relationship between freedom and responsibility is one of interdependency, and a clarification of freedom also clarifies that for which one is responsible.[31][32]

Authenticity[edit]

Main article: Authenticity

Many noted existentialist writers consider the theme of authentic existence important. Authentic existence involves the idea that one has to "create oneself" and then live in accordance with this self. What is meant by authenticity is that in acting, one should act as oneself, not as "one's acts" or as "one's genes" or any other essence requires. The authentic act is one that is in accordance with one's freedom. As a condition of freedom is facticity, this includes one's facticity, but not to the degree that this facticity can in any way determine one's transcendent choices (in the sense that one could then blame one's background [facticity] for making the choice one made [chosen project, from one's transcendence]). The role of facticity in relation to authenticity involves letting one's actual values come into play when one makes a choice (instead of, like Kierkegaard's Aesthete, "choosing" randomly), so that one also takes responsibility for the act instead of choosing either-or without allowing the options to have different values.[33]

In contrast to this, the inauthentic is the denial to live in accordance with one's freedom. This can take many forms, from pretending choices are meaningless or random, through convincing oneself that some form of determinism is true, to a sort of "mimicry" where one acts as "one should".

How "one should" act is often determined by an image one has, of how one such as oneself (say, a bank manager, lion tamer, prostitute, etc.) acts. In Being and Nothingness, Sartre relates an example of a "waiter" in bad faith: he merely takes part in the "act" of being a typical waiter, albeit very convincingly.[34] This image usually corresponds to some sort of social norm, but this does not mean that all acting in accordance with social norms is inauthentic: The main point is the attitude one takes to one's own freedom and responsibility, and the extent to which one acts in accordance with this freedom.

The Other and the Look[edit]

Main article: Other (philosophy)

The Other (when written with a capital "O") is a concept more properly belonging to phenomenology and its account of intersubjectivity. However, the concept has seen widespread use in existentialist writings, and the conclusions drawn from it differ slightly from the phenomenological accounts. The experience of the Other is the experience of another free subject who inhabits the same world as a person does. In its most basic form, it is this experience of the Other that constitutes intersubjectivity and objectivity. To clarify, when one experiences someone else, and this Other person experiences the world (the same world that a person experiences)—only from "over there"—the world itself is constituted as objective in that it is something that is "there" as identical for both of the subjects; a person experiences the other person as experiencing the same things. This experience of the Other's look is what is termed the Look (sometimes the Gaze).[35]

While this experience, in its basic phenomenological sense, constitutes the world as objective, and oneself as objectively existing subjectivity (one experiences oneself as seen in the Other's Look in precisely the same way that one experiences the Other as seen by him, as subjectivity), in existentialism, it also acts as a kind of limitation of freedom. This is because the Look tends to objectify what it sees. As such, when one experiences oneself in the Look, one doesn't experience oneself as nothing (no thing), but as something. Sartre's own example of a man peeping at someone through a keyhole can help clarify this: at first, this man is entirely caught up in the situation he is in; he is in a pre-reflexive state where his entire consciousness is directed at what goes on in the room. Suddenly, he hears a creaking floorboard behind him, and he becomes aware of himself as seen by the Other. He is thus filled with shame for he perceives himself as he would perceive someone else doing what he was doing, as a Peeping Tom. The Look is then co-constitutive of one's facticity.

Another characteristic feature of the Look is that no Other really needs to have been there: It is quite possible that the creaking floorboard was nothing but the movement of an old house; the Look isn't some kind of mystical telepathic experience of the actual way the other sees one (there may also have been someone there, but he could have not noticed that the person was there). It is only one's perception of the way another might perceive him.

Angst and dread[edit]

Main article: Angst

See also: Living educational theory

"Existential angst", sometimes called existential dread, anxiety, or anguish, is a term that is common to many existentialist thinkers. It is generally held to be a negative feeling arising from the experience of human freedom and responsibility. The archetypical example is the experience one has when standing on a cliff where one not only fears falling off it, but also dreads the possibility of throwing oneself off. In this experience that "nothing is holding me back", one senses the lack of anything that predetermines one to either throw oneself off or to stand still, and one experiences one's own freedom.[23]

It can also be seen in relation to the previous point how angst is before nothing, and this is what sets it apart from fear that has an object. While in the case of fear, one can take definitive measures to remove the object of fear, in the case of angst, no such "constructive" measures are possible. The use of the word "nothing" in this context relates both to the inherent insecurity about the consequences of one's actions, and to the fact that, in experiencing freedom as angst, one also realizes that one is fully responsible for these consequences. There is nothing in people (genetically, for instance) that acts in their stead—that they can blame if something goes wrong. Therefore, not every choice is perceived as having dreadful possible consequences (and, it can be claimed, human lives would be unbearable if every choice facilitated dread). However, this doesn't change the fact that freedom remains a condition of every action.

Despair[edit]

Main article: Despair

See also: Existential crisis

Despair, in existentialism, is generally defined as a loss of hope.[36] More specifically, it is a loss of hope in reaction to a breakdown in one or more of the defining qualities of one's self or identity. If a person is invested in being a particular thing, such as a bus driver or an upstanding citizen, and then finds their being-thing compromised, they would normally be found in a state of despair—a hopeless state. For example, a singer who loses the ability to sing may despair if they have nothing else to fall back on—nothing to rely on for their identity. They find themselves unable to be what defined their being.

What sets the existentialist notion of despair apart from the conventional definition is that existentialist despair is a state one is in even when they aren't overtly in despair. So long as a person's identity depends on qualities that can crumble, they are in perpetual despair—and as there is, in Sartrean terms, no human essence found in conventional reality on which to constitute the individual's sense of identity, despair is a universal human condition. As Kierkegaard defines it in Either/Or: "Let each one learn what he can; both of us can learn that a person’s unhappiness never lies in his lack of control over external conditions, since this would only make him completely unhappy."[37] In Works of Love, he said:

When the God-forsaken worldliness of earthly life shuts itself in complacency, the confined air develops poison, the moment gets stuck and stands still, the prospect is lost, a need is felt for a refreshing, enlivening breeze to cleanse the air and dispel the poisonous vapors lest we suffocate in worldliness. ... Lovingly to hope all things is the opposite of despairingly to hope nothing at all. Love hopes all things—yet is never put to shame. To relate oneself expectantly to the possibility of the good is to hope. To relate oneself expectantly to the possibility of evil is to fear. By the decision to choose hope one decides infinitely more than it seems, because it is an eternal decision. pp. 246–50

Opposition to positivism and rationalism[edit]

See also: Positivism and Rationalism

Existentialists oppose definitions of human beings as primarily rational, and, therefore, oppose positivism and rationalism. Existentialism asserts that people actually make decisions based on subjective meaning rather than pure rationality. The rejection of reason as the source of meaning is a common theme of existentialist thought, as is the focus on the feelings of anxiety and dread that we feel in the face of our own radical freedom and our awareness of death. Kierkegaard advocated rationality as a means to interact with the objective world (e.g., in the natural sciences), but when it comes to existential problems, reason is insufficient: "Human reason has boundaries".[38]

Like Kierkegaard, Sartre saw problems with rationality, calling it a form of "bad faith", an attempt by the self to impose structure on a world of phenomena—"the Other"—that is fundamentally irrational and random. According to Sartre, rationality and other forms of bad faith hinder people from finding meaning in freedom. To try to suppress their feelings of anxiety and dread, people confine themselves within everyday experience, Sartre asserts, thereby relinquishing their freedom and acquiescing to being possessed in one form or another by "the Look" of "the Other" (i.e., possessed by another person—or at least one's idea of that other person).

Religion[edit]

See also: Atheistic existentialism, Christian existentialism, and Jewish existentialism

An existentialist reading of the Bible would demand that the reader recognize that (s)he is an existing subject studying the words more as a recollection of events. This is in contrast to looking at a collection of "truths" that are outside and unrelated to the reader, but may develop a sense of reality/God. Such a reader is not obligated to follow the commandments as if an external agent is forcing them upon her/him, but as though they are inside her/him and guiding her/him from inside. This is the task Kierkegaard takes up when he asks: "Who has the more difficult task: the teacher who lectures on earnest things a meteor's distance from everyday life - or the learner who should put it to use?"[39]

Confusion with nihilism[edit]

See also: Existential nihilism

Although nihilism and existentialism are distinct philosophies, they are often confused with one another. A primary cause of confusion is that Friedrich Nietzsche is an important philosopher in both fields, but also the existentialist insistence on the inherent meaninglessness of the world. Existentialist philosophers often stress the importance of Angst as signifying the absolute lack of any objective ground for action, a move that is often reduced to a moral or an existential nihilism. A pervasive theme in the works of existentialist philosophy, however, is to persist through encounters with the absurd, as seen in Camus' The Myth of Sisyphus ("One must imagine Sisyphus happy"),[40] and it is only very rarely that existentialist philosophers dismiss morality or one's self-created meaning: Kierkegaard regained a sort of morality in the religious (although he wouldn't himself agree that it was ethical; the religious suspends the ethical), and Sartre's final words in Being and Nothingness are "All these questions, which refer us to a pure and not an accessory (or impure) reflection, can find their reply only on the ethical plane. We shall devote to them a future work."[34]

Etymology[edit]

The term "existentialism" was coined by the French Catholic philosopher Gabriel Marcel in the mid-1940s.[41][42][43] At first, when Marcel applied the term to him at a colloquium in 1945, Jean-Paul Sartre rejected it.[44] Sartre subsequently changed his mind and, on October 29, 1945, publicly adopted the existentialist label in a lecture to the Club Maintenant in Paris. The lecture was published as L'existentialisme est un humanisme (Existentialism is a Humanism), a short book that did much to popularize existentialist thought.[45] Marcel later came to reject the label himself in favour of the term Neo-Socratic, in honor of Kierkegaard's essay "On The Concept of Irony".

Some scholars argue that the term should be used only to refer to the cultural movement in Europe in the 1940s and 1950s associated with the works of the philosophers Jean-Paul Sartre, Simone de Beauvoir, Maurice Merleau-Ponty, and Albert Camus.[2] Other scholars extend the term to Kierkegaard, and yet others extend it as far back as Socrates.[46] However, the term is often identified with the philosophical views of Jean-Paul Sartre.[2]

History[edit]

19th century[edit]

Kierkegaard and Nietzsche[edit]

Main article: Søren Kierkegaard and Friedrich Nietzsche

Søren Kierkegaard and Friedrich Nietzsche were two of the first philosophers considered fundamental to the existentialist movement, though neither used the term "existentialism" and it is unclear whether they would have supported the existentialism of the 20th century. They focused on subjective human experience rather than the objective truths of mathematics and science, which they believed were too detached or observational to truly get at the human experience. Like Pascal, they were interested in people's quiet struggle with the apparent meaninglessness of life and the use of diversion to escape from boredom. Unlike Pascal, Kierkegaard and Nietzsche also considered the role of making free choices, particularly regarding fundamental values and beliefs, and how such choices change the nature and identity of the chooser.[47] Kierkegaard's knight of faith and Nietzsche's Übermensch are representative of people who exhibit Freedom, in that they define the nature of their own existence. Nietzsche's idealized individual invents his own values and creates the very terms they excel under. By contrast, Kierkegaard, opposed to the level of abstraction in Hegel, and not nearly as hostile (actually welcoming) to Christianity as Nietzsche, argues through a pseudonym that the objective certainty of religious truths (specifically Christian) is not only impossible, but even founded on logical paradoxes. Yet he continues to imply that a leap of faith is a possible means for an individual to reach a higher stage of existence that transcends and contains both an aesthetic and ethical value of life. Kierkegaard and Nietzsche were also precursors to other intellectual movements, including postmodernism, and various strands of psychotherapy. However, Kierkegaard believed that individuals should live in accordance with their thinking.

Dostoyevsky[edit]

The first important literary author also important to existentialism was the Russian Fyodor Dostoyevsky.[48] Dostoyevsky's Notes from Underground portrays a man unable to fit into society and unhappy with the identities he creates for himself. Jean-Paul Sartre, in his book on existentialism Existentialism is a Humanism, quoted Dostoyevsky's The Brothers Karamazov as an example of existential crisis. Sartre attributes Ivan Karamazov's claim, "If God did not exist, everything would be permitted"[49] to Dostoyevsky himself, though this quote does not appear in the novel.[50] However, a similar sentiment is explicitly stated when Alyosha visits Dimitri in prison. Dimitri mentions his conversations with Rakitin in which the idea that "Then, if He doesn't exist, man is king of the earth, of the universe" allowing the inference contained in Sartre's attribution to remain a valid idea contested within the novel.[51] Other Dostoyevsky novels covered issues raised in existentialist philosophy while presenting story lines divergent from secular existentialism: for example, in Crime and Punishment, the protagonist Raskolnikov experiences an existential crisis and then moves toward a Christian Orthodox worldview similar to that advocated by Dostoyevsky himself.[52]

Early 20th century[edit]

See also: Martin Heidegger

In the first decades of the 20th century, a number of philosophers and writers explored existentialist ideas. The Spanish philosopher Miguel de Unamuno y Jugo, in his 1913 book The Tragic Sense of Life in Men and Nations, emphasized the life of "flesh and bone" as opposed to that of abstract rationalism. Unamuno rejected systematic philosophy in favor of the individual's quest for faith. He retained a sense of the tragic, even absurd nature of the quest, symbolized by his enduring interest in Cervantes' fictional character Don Quixote. A novelist, poet and dramatist as well as philosophy professor at the University of Salamanca, Unamuno wrote a short story about a priest's crisis of faith, Saint Manuel the Good, Martyr, which has been collected in anthologies of existentialist fiction. Another Spanish thinker, Ortega y Gasset, writing in 1914, held that human existence must always be defined as the individual person combined with the concrete circumstances of his life: "Yo soy yo y mi circunstancia" ("I am myself and my circumstances"). Sartre likewise believed that human existence is not an abstract matter, but is always situated ("en situation").

Although Martin Buber wrote his major philosophical works in German, and studied and taught at the Universities of Berlin and Frankfurt, he stands apart from the mainstream of German philosophy. Born into a Jewish family in Vienna in 1878, he was also a scholar of Jewish culture and involved at various times in Zionism and Hasidism. In 1938, he moved permanently to Jerusalem. His best-known philosophical work was the short book I and Thou, published in 1922. For Buber, the fundamental fact of human existence, too readily overlooked by scientific rationalism and abstract philosophical thought, is "man with man", a dialogue that takes place in the so-called "sphere of between" ("das Zwischenmenschliche").[53]

Two Russian thinkers, Lev Shestov and Nikolai Berdyaev, became well known as existentialist thinkers during their post-Revolutionary exiles in Paris. Shestov, born into a Ukrainian-Jewish family in Kiev, had launched an attack on rationalism and systematization in philosophy as early as 1905 in his book of aphorisms All Things Are Possible.

Berdyaev, also from Kiev but with a background in the Eastern Orthodox Church, drew a radical distinction between the world of spirit and the everyday world of objects. Human freedom, for Berdyaev, is rooted in the realm of spirit, a realm independent of scientific notions of causation. To the extent the individual human being lives in the objective world, he is estranged from authentic spiritual freedom. "Man" is not to be interpreted naturalistically, but as a being created in God's image, an originator of free, creative acts.[54] He published a major work on these themes, The Destiny of Man, in 1931.

Gabriel Marcel, long before coining the term "existentialism", introduced important existentialist themes to a French audience in his early essay "Existence and Objectivity" (1925) and in his Metaphysical Journal (1927).[55] A dramatist as well as a philosopher, Marcel found his philosophical starting point in a condition of metaphysical alienation: the human individual searching for harmony in a transient life. Harmony, for Marcel, was to be sought through "secondary reflection", a "dialogical" rather than "dialectical" approach to the world, characterized by "wonder and astonishment" and open to the "presence" of other people and of God rather than merely to "information" about them. For Marcel, such presence implied more than simply being there (as one thing might be in the presence of another thing); it connoted "extravagant" availability, and the willingness to put oneself at the disposal of the other.[56]

Marcel contrasted secondary reflection with abstract, scientific-technical primary reflection, which he associated with the activity of the abstract Cartesian ego. For Marcel, philosophy was a concrete activity undertaken by a sensing, feeling human being incarnate—embodied—in a concrete world.[55][57] Although Jean-Paul Sartre adopted the term "existentialism" for his own philosophy in the 1940s, Marcel's thought has been described as "almost diametrically opposed" to that of Sartre.[55] Unlike Sartre, Marcel was a Christian, and became a Catholic convert in 1929.

In Germany, the psychologist and philosopher Karl Jaspers—who later described existentialism as a "phantom" created by the public[58]—called his own thought, heavily influenced by Kierkegaard and Nietzsche, Existenzphilosophie. For Jaspers, "Existenz-philosophy is the way of thought by means of which man seeks to become himself...This way of thought does not cognize objects, but elucidates and makes actual the being of the thinker".[59]

Jaspers, a professor at the University of Heidelberg, was acquainted with Martin Heidegger, who held a professorship at Marburg before acceding to Husserl's chair at Freiburg in 1928. They held many philosophical discussions, but later became estranged over Heidegger's support of National Socialism (Nazism). They shared an admiration for Kierkegaard,[60] and in the 1930s, Heidegger lectured extensively on Nietzsche. Nevertheless, the extent to which Heidegger should be considered an existentialist is debatable. In Being and Time he presented a method of rooting philosophical explanations in human existence (Dasein) to be analysed in terms of existential categories (existentiale); and this has led many commentators to treat him as an important figure in the existentialist movement.

After the Second World War[edit]

Following the Second World War, existentialism became a well-known and significant philosophical and cultural movement, mainly through the public prominence of two French writers, Jean-Paul Sartre and Albert Camus, who wrote best-selling novels, plays and widely read journalism as well as theoretical texts.[61] These years also saw the growing reputation of Heidegger's book Being and Time outside Germany.

Sartre dealt with existentialist themes in his 1938 novel Nausea and the short stories in his 1939 collection The Wall, and had published his treatise on existentialism, Being and Nothingness, in 1943, but it was in the two years following the liberation of Paris from the German occupying forces that he and his close associates—Camus, Simone de Beauvoir, Maurice Merleau-Ponty, and others—became internationally famous as the leading figures of a movement known as existentialism.[62] In a very short period of time, Camus and Sartre in particular became the leading public intellectuals of post-war France, achieving by the end of 1945 "a fame that reached across all audiences."[63] Camus was an editor of the most popular leftist (former French Resistance) newspaper Combat; Sartre launched his journal of leftist thought, Les Temps Modernes, and two weeks later gave the widely reported lecture on existentialism and secular humanism to a packed meeting of the Club Maintenant. Beauvoir wrote that "not a week passed without the newspapers discussing us";[64] existentialism became "the first media craze of the postwar era."[65]

By the end of 1947, Camus' earlier fiction and plays had been reprinted, his new play Caligula had been performed and his novel The Plague published; the first two novels of Sartre's The Roads to Freedom trilogy had appeared, as had Beauvoir's novel The Blood of Others. Works by Camus and Sartre were already appearing in foreign editions. The Paris-based existentialists had become famous.[62]

Sartre had traveled to Germany in 1930 to study the phenomenology of Edmund Husserl and Martin Heidegger,[66] and he included critical comments on their work in his major treatise Being and Nothingness. Heidegger's thought had also become known in French philosophical circles through its use by Alexandre Kojève in explicating Hegel in a series of lectures given in Paris in the 1930s.[67] The lectures were highly influential; members of the audience included not only Sartre and Merleau-Ponty, but Raymond Queneau, Georges Bataille, Louis Althusser, André Breton, and Jacques Lacan.[68] A selection from Heidegger's Being and Time was published in French in 1938, and his essays began to appear in French philosophy journals.

Heidegger read Sartre's work and was initially impressed, commenting: "Here for the first time I encountered an independent thinker who, from the foundations up, has experienced the area out of which I think. Your work shows such an immediate comprehension of my philosophy as I have never before encountered."[69] Later, however, in response to a question posed by his French follower Jean Beaufret,[70] Heidegger distanced himself from Sartre's position and existentialism in general in his Letter on Humanism.[71] Heidegger's reputation continued to grow in France during the 1950s and 1960s. In the 1960s, Sartre attempted to reconcile existentialism and Marxism in his work Critique of Dialectical Reason. A major theme throughout his writings was freedom and responsibility.

Camus was a friend of Sartre, until their falling-out, and wrote several works with existential themes including The Rebel, Summer in Algiers, The Myth of Sisyphus, and The Stranger, the latter being "considered—to what would have been Camus's irritation—the exemplary existentialist novel."[72] Camus, like many others, rejected the existentialist label, and considered his works concerned with facing the absurd. In the titular book, Camus uses the analogy of the Greek myth of Sisyphus to demonstrate the futility of existence. In the myth, Sisyphus is condemned for eternity to roll a rock up a hill, but when he reaches the summit, the rock will roll to the bottom again. Camus believes that this existence is pointless but that Sisyphus ultimately finds meaning and purpose in his task, simply by continually applying himself to it. The first half of the book contains an extended rebuttal of what Camus took to be existentialist philosophy in the works of Kierkegaard, Shestov, Heidegger, and Jaspers.

Simone de Beauvoir, an important existentialist who spent much of her life as Sartre's partner, wrote about feminist and existentialist ethics in her works, including The Second Sex and The Ethics of Ambiguity. Although often overlooked due to her relationship with Sartre,[73] de Beauvoir integrated existentialism with other forms of thinking such as feminism, unheard of at the time, resulting in alienation from fellow writers such as Camus.[52]

Paul Tillich, an important existentialist theologian following Kierkegaard and Karl Barth, applied existentialist concepts to Christian theology, and helped introduce existential theology to the general public. His seminal work The Courage to Be follows Kierkegaard's analysis of anxiety and life's absurdity, but puts forward the thesis that modern humans must, via God, achieve selfhood in spite of life's absurdity. Rudolf Bultmann used Kierkegaard's and Heidegger's philosophy of existence to demythologize Christianity by interpreting Christian mythical concepts into existentialist concepts.

Maurice Merleau-Ponty, an existential phenomenologist, was for a time a companion of Sartre. Merleau-Ponty's Phenomenology of Perception (1945) was recognized as a major statement of French existentialism.[74] It has been said that Merleau-Ponty's work Humanism and Terror greatly influenced Sartre. However, in later years they were to disagree irreparably, dividing many existentialists such as de Beauvoir,[52] who sided with Sartre.

Colin Wilson, an English writer, published his study The Outsider in 1956, initially to critical acclaim. In this book and others (e.g. Introduction to the New Existentialism), he attempted to reinvigorate what he perceived as a pessimistic philosophy and bring it to a wider audience. He was not, however, academically trained, and his work was attacked by professional philosophers for lack of rigor and critical standards.[75]

[edit]

Art[edit]

Film and television[edit]

Stanley Kubrick's 1957 anti-war filmPaths of Glory "illustrates, and even illuminates...existentialism" by examining the "necessary absurdity of the human condition" and the "horror of war".[76] The film tells the story of a fictional World War I French army regiment ordered to attack an impregnable German stronghold; when the attack fails, three soldiers are chosen at random, court-martialed by a "kangaroo court", and executed by firing squad. The film examines existentialist ethics, such as the issue of whether objectivity is possible and the "problem of authenticity".[76]Orson Welles' 1962 film The Trial, based upon Franz Kafka's book of the same name (Der Process), is characteristic of both existentialist and absurdist themes in its depiction of a man (Joseph K.) arrested for a crime for which the charges are neither revealed to him nor to the reader.

Neon Genesis Evangelion is a Japanese science fiction animation series created by the anime studio Gainax and was both directed and written by Hideaki Anno. Existential themes of individuality, consciousness, freedom, choice, and responsibility are heavily relied upon throughout the entire series, particularly through the philosophies of Jean-Paul Sartre and Søren Kierkegaard. Episode 16's title, "The Sickness Unto Death, And…" (死に至る病、そして,Shi ni itaru yamai, soshite) is a reference to Kierkegaard's book, The Sickness Unto Death. Some contemporary films dealing with existentialist issues include Melancholia, Fight Club, I Heart Huckabees, Waking Life, The Matrix, Ordinary People, and Life in a Day.[77] Likewise, films throughout the 20th century such as The Seventh Seal, Ikiru, Taxi Driver, the Toy Story films, The Great Silence, Ghost in the Shell, Harold and Maude, High Noon, Easy Rider, One Flew Over the Cuckoo's Nest, A Clockwork Orange, Groundhog Day, Apocalypse Now, Badlands, and Blade Runner also have existentialist qualities.[78]

Notable directors known for their existentialist films include Ingmar Bergman, François Truffaut, Jean-Luc Godard, Michelangelo Antonioni, Akira Kurosawa, Terrence Malick, Stanley Kubrick, Andrei Tarkovsky, Hideaki Anno, Wes Anderson, Gaspar Noé, Woody Allen, and Christopher Nolan.[79]Charlie Kaufman's Synecdoche, New York focuses on the protagonist's desire to find existential meaning.[80] Similarly, in Kurosawa's Red Beard, the protagonist's experiences as an intern in a rural health clinic in Japan lead him to an existential crisis whereby he questions his reason for being. This, in turn, leads him to a better understanding of humanity. The French film, Mood Indigo (directed by Michel Gondry) embraced various elements of existentialism.[citation needed] The film The Shawshank Redemption, released in 1994, depicts life in a prison in Maine, United States to explore several existentialist concepts.[81]

Literature[edit]

Existential perspectives are also found in modern literature to varying degrees, especially since the 1920s. Louis-Ferdinand Céline's Journey to the End of the Night (Voyage au bout de la nuit, 1932) celebrated by both Sartre and Beauvoir, contained many of the themes that would be found in later existential literature, and is in some ways, the proto-existential novel. Jean-Paul Sartre's 1938 novel Nausea[82] was "steeped in Existential ideas", and is considered an accessible way of grasping his philosophical stance.[83] Between 1900 and 1960, other authors such as Albert Camus, Franz Kafka, Rainer Maria Rilke, T.S. Eliot, Herman Hesse, Luigi Pirandello,[24][25][27][84][85][86]Ralph Ellison,[87][88][89][90] and Jack Kerouac, composed literature or poetry that contained, to varying degrees, elements of existential or proto-existential thought. The philosophy's influence even reached pulp literature shortly after the turn of the 20th century, as seen in the existential disparity witnessed in Man's lack of control of his fate in the works of H.P. Lovecraft.[91] Since the late 1960s, a great deal of cultural activity in literature contains postmodernist as well as existential elements. Books such as Do Androids Dream of Electric Sheep? (1968) (now republished as Blade Runner) by Philip K. Dick, Slaughterhouse-Five by Kurt Vonnegut, Fight Club by Chuck Palahniuk and Formless Meanderings by Bharath Srinivasan[92] all distort the line between reality and appearance while simultaneously espousing existential themes.

Theatre[edit]

Jean-Paul Sartre wrote No Exit in 1944, an existentialist play originally published in French as Huis Clos (meaning In Camera or "behind closed doors"), which is the source of the popular quote, "Hell is other people." (In French, "L'enfer, c'est les autres"). The play begins with a Valet leading a man into a room that the audience soon realizes is in hell. Eventually he is joined by two women. After their entry, the Valet leaves and the door is shut and locked. All three expect to be tortured, but no torturer arrives. Instead, they realize they are there to torture each other, which they do effectively by probing each other's sins, desires, and unpleasant memories.

Existentialist themes are displayed in the Theatre of the Absurd, notably in Samuel Beckett's Waiting for Godot, in which two men divert themselves while they wait expectantly for someone (or something) named Godot who never arrives. They claim Godot is an acquaintance, but in fact, hardly know him, admitting they would not recognize him if they saw him. Samuel Beckett, once asked who or what Godot is, replied, "If I knew, I would have said so in the play." To occupy themselves, the men eat, sleep, talk, argue, sing, play games, exercise, swap hats, and contemplate suicide—anything "to hold the terrible silence at bay".[93] The play "exploits several archetypal forms and situations, all of which lend themselves to both comedy and pathos."[94] The play also illustrates an attitude toward human experience on earth: the poignancy, oppression, camaraderie, hope, corruption, and bewilderment of human experience that can be reconciled only in the mind and art of the absurdist. The play examines questions such as death, the meaning of human existence and the place of God in human existence.

Tom Stoppard's Rosencrantz & Guildenstern Are Dead is an absurdisttragicomedy first staged at the Edinburgh Festival Fringe in 1966.[95] The play expands upon the exploits of two minor characters from Shakespeare'sHamlet. Comparisons have also been drawn to Samuel Beckett's Waiting For Godot, for the presence of two central characters who appear almost as two halves of a single character. Many plot features are similar as well: the characters pass time by playing Questions, impersonating other characters, and interrupting each other or remaining silent for long periods of time. The two characters are portrayed as two clowns or fools in a world beyond their understanding. They stumble through philosophical arguments while not realizing the implications, and muse on the irrationality and randomness of the world.

Jean Anouilh's Antigone also presents arguments founded on existentialist ideas.[96] It is a tragedy inspired by Greek mythology and the play of the same name (Antigone, by Sophocles) from the 5th century BC. In English, it is often distinguished from its antecedent by being pronounced in its original French form, approximately "Ante-GŌN." The play was first performed in Paris on 6 February 1944, during the Nazi occupation of France. Produced under Nazi censorship, the play is purposefully ambiguous with regards to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon). The parallels to the French Resistance and the Nazi occupation have been drawn. Antigone rejects life as desperately meaningless but without affirmatively choosing a noble death. The crux of the play is the lengthy dialogue concerning the nature of power, fate, and choice, during which Antigone says that she is, "... disgusted with [the]...promise of a humdrum happiness." She states that she would rather die than live a mediocre existence.

Critic Martin Esslin in his book Theatre of the Absurd pointed out how many contemporary playwrights such as Samuel Beckett, Eugène Ionesco, Jean Genet, and Arthur Adamov wove into their plays the existentialist belief that we are absurd beings loose in a universe empty of real meaning. Esslin noted that many of these playwrights demonstrated the philosophy better than did the plays by Sartre and Camus. Though most of such playwrights, subsequently labeled "Absurdist" (based on Esslin's book), denied affiliations with existentialism and were often staunchly anti-philosophical (for example Ionesco often claimed he identified more with 'Pataphysics or with Surrealism than with existentialism), the playwrights are often linked to existentialism based on Esslin's observation.[97]

Psychoanalysis and psychotherapy[edit]

Main article: Existential therapy

A major offshoot of existentialism as a philosophy is existentialist psychology and psychoanalysis, which first crystallized in the work of Otto Rank, Freud's closest associate for 20 years. Without awareness of the writings of Rank, Ludwig Binswanger was influenced by Freud, Edmund Husserl, Heidegger, and Sartre. A later figure was Viktor Frankl, who briefly met

French-Algerian philosopher, novelist, and playwright Albert Camus

1. The Emergence of Existence as a Philosophical Problem

Sartre's existentialism drew its immediate inspiration from the work of the German philosopher, Martin Heidegger. Heidegger's 1927 Being and Time, an inquiry into the “being that we ourselves are” (which he termed “Dasein,” a German word for existence), introduced most of the motifs that would characterize later existentialist thinking: the tension between the individual and the “public”; an emphasis on the worldly or “situated” character of human thought and reason; a fascination with liminal experiences of anxiety, death, the “nothing” and nihilism; the rejection of science (and above all, causal explanation) as an adequate framework for understanding human being; and the introduction of “authenticity” as the norm of self-identity, tied to the project of self-definition through freedom, choice, and commitment. Though in 1946 Heidegger would repudiate the retrospective labelling of his earlier work as existentialism, it is in that work that the relevant concept of existence finds its first systematic philosophical formulation.[1]

As Sartre and Merleau-Ponty would later do, Heidegger pursued these issues with the somewhat unlikely resources of Edmund Husserl's phenomenological method. And while not all existential philosophers were influenced by phenomenology (for instance Jaspers and Marcel), the philosophical legacy of existentialism is largely tied to the form it took as an existential version of phenomenology. Husserl's efforts in the first decades of the twentieth century had been directed toward establishing a descriptive science of consciousness, by which he understood not the object of the natural science of psychology but the “transcendental” field of intentionality, i.e., that whereby our experience is meaningful, an experience of something as something. The existentialists welcomed Husserl's doctrine of intentionality as a refutation of the Cartesian view according to which consciousness relates immediately only to its own representations, ideas, sensations. According to Husserl, consciousness is our direct openness to the world, one that is governed categorially (normatively) rather than causally; that is, intentionality is not a property of the individual mind but the categorial framework in which mind and world become intelligible.[2]

A phenomenology of consciousness, then, explores neither the metaphysical composition nor the causal genesis of things, but the “constitution” of their meaning. Husserl employed this method to clarify our experience of nature, the socio-cultural world, logic, and mathematics, but Heidegger argued that he had failed to raise the most fundamental question, that of the “meaning of being” as such. In turning phenomenology toward the question of what it means to be, Heidegger insists that the question be raised concretely: it is not at first some academic exercise but a burning concern arising from life itself, the question of what it means for me to be. Existential themes take on salience when one sees that the general question of the meaning of being involves first becoming clear about one's own being as an inquirer. According to Heidegger, the categories bequeathed by the philosophical tradition for understanding a being who can question his or her being are insufficient: traditional concepts of a substance decked out with reason, or of a subject blessed with self-consciousness, misconstrue our fundamental character as “being-in-the-world.” In his phenomenological pursuit of the categories that govern being-in-the-world, Heidegger became the reluctant father of existentialism because he drew inspiration from two seminal, though in academic circles then relatively unknown, nineteenth-century writers, Søren Kierkegaard and Friedrich Nietzsche. One can find anticipations of existential thought in many places (for instance, in Socratic irony, Augustine, Pascal, or the late Schelling), but the roots of the problem of existence in its contemporary significance lie in the work of Kierkegaard and Nietzsche.

1.1 Kierkegaard: “The Single Individual”

Kierkegaard developed this problem in the context of his radical approach to Christian faith; Nietzsche did so in light of his thesis of the death of God. Subsequent existential thought reflects this difference: while some writers—such as Sartre and Beauvoir—were resolutely atheist in outlook, others—such as Heidegger, Jaspers, Marcel, and Buber—variously explored the implications of the concept “authentic existence” for religious consciousness. Though neither Nietzsche's nor Kierkegaard's thought can be reduced to a single strand, both took an interest in what Kierkegaard termed “the single individual.” Both were convinced that this singularity, what is most my own, “me,” could be meaningfully reflected upon while yet, precisely because of its singularity, remain invisible to traditional philosophy, with its emphasis either on what follows unerring objective laws of nature or else conforms to the universal standards of moral reason. A focus on existence thus led, in both, to unique textual strategies quite alien to the philosophy of their time.

In Kierkegaard, the singularity of existence comes to light at the moment of conflict between ethics and religious faith. Suppose it is my sense of doing God's will that makes my life meaningful. How does philosophy conceive this meaning? Drawing here on Hegel as emblematic of the entire tradition, Kierkegaard, in his book Fear and Trembling, argues that for philosophy my life becomes meaningful when I “raise myself to the universal” by bringing my immediate (natural) desires and inclinations under the moral law, which represents my “telos” or what I ought to be. In doing so I lose my individuality (since the law holds for all) but my actions become meaningful in the sense of understandable, governed by a norm. Now a person whose sense of doing God's will is what gives her life meaning will be intelligible just to the extent that her action conforms to the universal dictates of ethics. But what if, as in case of Abraham's sacrifice of his son, the action contradicts what ethics demands? Kierkegaard[3] believes both that Abraham's life is supremely meaningful (it is not simply a matter of some immediate desire or meaningless tic that overcomes Abraham's ethical consciousness; on the contrary, doing the moral thing is itself in this case his tempting inclination) and that philosophy cannot understand it, thus condemning it in the name of ethics. God's command here cannot be seen as a law that would pertain to all; it addresses Abraham in his singularity. If Abraham's life is meaningful, it represents, from a philosophical point of view, the “paradox” that through faith the “single individual is higher than the universal.” Existence as a philosophical problem appears at this point: if there is a dimension to my being that is both meaningful and yet not governed by the rational standard of morality, by what standard is it governed? For unless there is some standard it is idle to speak of “meaning.”

To solve this problem there must be a norm inherent in singularity itself, and, in his Concluding Unscientific Postscript, Kierkegaard tries to express such a norm in his claim that “subjectivity is the truth,” an idea that prefigures the existential concept of authenticity. Abraham has no objective reason to think that the command he hears comes from God; indeed, based on the content of the command he has every reason, as Kant pointed out in Religion Within the Limits of Reason Alone, to think that it cannot come from God. His sole justification is what Kierkegaard calls the passion of faith. Such faith is, rationally speaking, absurd, a “leap,” so if there is to be any talk of truth here it is a standard that measures not the content of Abraham's act, but the way in which he accomplishes it. To perform the movement of faith “subjectively” is to embrace the paradox as normative for me in spite of its absurdity, rather than to seek an escape from it by means of objective textual exegesis, historical criticism, or some other strategy for translating the singularity of my situation into the universal. Because my reason cannot help here, the normative appropriation is a function of my “inwardness” or passion. In this way I “truly” become what I nominally already am. To say that subjectivity is the truth is to highlight a way of being, then, and not a mode of knowing; truth measures the attitude (“passion”) with which I appropriate, or make my own, an “objective uncertainty” (the voice of God) in a “process of highest inwardness.”

In contrast to the singularity of this movement, for Kierkegaard, stands the crowd: “the crowd is untruth.” The crowd is, roughly, public opinion in the widest sense—the ideas that a given age takes for granted; the ordinary and accepted way of doing things; the complacent attitude that comes from the conformity necessary for social life—and what condemns it to “untruth” in Kierkegaard's eyes is the way that it insinuates itself into an individual's own sense of who she is, relieving her of the burden of being herself: if everyone is a Christian there is no need for me to “become” one. Since it is a measure not of knowing but of being, one can see how Kierkegaard answers those who object that his concept of subjectivity as truth is based on an equivocation: the objective truths of science and history, however well-established, are in themselves matters of indifference; they belong to the crowd. It is not insofar as truth can be established objectively that it takes on meaning, but rather insofar as it is appropriated “passionately” in its very uncertainty. To “exist” is always to be confronted with this question of meaning. The truths that matter to who one is cannot, like Descartes' morale definitif, be something to be attained only when objective science has completed its task.

1.2 Nietzsche and Nihilism

For Kierkegaard existence emerges as a philosophical problem in the struggle to think the paradoxical presence of God; for Nietzsche it is found in the reverberations of the phrase “God is dead,” in the challenge of nihilism.

Responding in part to the cultural situation in nineteenth-century Europe—historical scholarship continuing to erode fundamentalist readings of the Bible, the growing cultural capital of the natural sciences, and Darwinism in particular—and in part driven by his own investigations into the psychology and history of moral concepts, Nietzsche sought to draw the consequences of the death of God, the collapse of any theistic support for morality. Like his contemporary, Fyodor Dostoevsky, whose character, Ivan, in The Brothers Karamazov, famously argues that if God does not exist then everything is permitted, Nietzsche's overriding concern is to find a way to take the measure of human life in the modern world. Unlike Dostoevsky, however, Nietzsche sees a complicity between morality and the Christian God that perpetuates a life-denying, and so ultimately nihilistic, stance. Nietzsche was not the first to de-couple morality from its divine sanction; psychological theories of the moral sentiments, developed since the eighteenth century, provided a purely human account of moral normativity. But while these earlier theories had been offered as justifications of the normative force of morality, Nietzsche's idea that behind moral prescriptions lies nothing but “will to power” undermined that authority. On the account given in On the Genealogy of Morals, the Judeo-Christian moral order arose as an expression of the ressentiment of the weak against the power exercised over them by the strong. A tool used to thwart that power, it had over time become internalized in the form of conscience, creating a “sick” animal whose will is at war with its own vital instincts. Thus Nietzsche arrived at Kierkegaard's idea that “the crowd is untruth”: the so-called autonomous, self-legislating individual is nothing but a herd animal that has trained itself to docility and unfreedom by conforming to the “universal” standards of morality. The normative is nothing but the normal.

Yet this is not the end of the story for Nietzsche, any more than it was for Kierkegaard. If the autonomous individual has so far signified nothing but herd mentality—if moral norms arose precisely to produce such conformists—the individual nevertheless has the potential to become something else, the sick animal is “pregnant with a future.” Nietzsche saw that in the nineteenth century the “highest values” had begun to “devalue themselves.” For instance, the Christian value of truth-telling, institutionalized in the form of science, had undermined the belief in God, disenchanting the world and excluding from it any pre-given moral meaning. In such a situation the individual is forced back upon himself. On the one hand, if he is weakly constituted he may fall victim to despair in the face of nihilism, the recognition that life has no instrinsic meaning. On the other hand, for a “strong” or creative individual nihilism presents a liberating opportunity to take responsibility for meaning, to exercise creativity by “transvaluing” her values, establishing a new “order of rank.” Through his prophet, Zarathustra, Nietzsche imagined such a person as the “overman” (Übermensch), the one who teaches “the meaning of the earth” and has no need of otherworldly supports for the values he embodies. The overman represents a form of life, a mode of existence, that is to blossom from the communalized, moralized “last man” of the nineteenth century. He has understood that nihilism is the ultimate meaning of the moral point of view, its life-denying essence, and he reconfigures the moral idea of autonomy so as to release the life-affirming potential within it.

Thus, for Nietzsche, existence emerges as a philosophical problem in his distinction between moral autonomy (as obedience to the moral law) and an autonomy “beyond good and evil.” But if one is to speak of autonomy, meaning, and value at all, the mode of being beyond good and evil cannot simply be a lawless state of arbitrary and impulsive behavior. If such existence is to be thinkable there must be a standard by which success or failure can be measured. Nietzsche variously indicates such a standard in his references to “health,” “strength,” and “the meaning of the earth.” Perhaps his most instructive indication, however, comes from aesthetics, since its concept of style, as elaborated in The Gay Science, provides a norm appropriate to the singularity of existence. To say that a work of art has style is to invoke a standard for judging it, but one that cannot be specified in the form of a general law of which the work would be a mere instance. Rather, in a curious way, the norm is internal to the work. For Nietzsche, existence falls under such an imperative of style: to create meaning and value in a world from which all transcendent supports have fallen away is to give unique shape to one's immediate inclinations, drives, and passions; to interpret, prune, and enhance according to a unifying sensibility, a ruling instinct, that brings everything into a whole that satisfies the non-conceptual, aesthetic norm of what fits, what belongs, what is appropriate.

As did Kierkegaard, then, Nietzsche uncovers an aspect of my being that can be understood neither in terms of immediate drives and inclinations nor in terms of a universal law of behavior, an aspect that is measured not in terms of an objective inventory of what I am but in terms of my way of being it. Neither Kierkegaard nor Nietzsche, however, developed this insight in a fully systematic way. That would be left to their twentieth-century heirs.

2. “Existence Precedes Essence”

Sartre's slogan—“existence precedes essence”—may serve to introduce what is most distinctive of existentialism, namely, the idea that no general, non-formal account of what it means to be human can be given, since that meaning is decided in and through existing itself. Existence is “self-making-in-a-situation” (Fackenheim 1961: 37). In contrast to other entities, whose essential properties are fixed by the kind of entities they are, what is essential to a human being—what makes her who she is—is not fixed by her type but by what she makes of herself, who she becomes.[4] The fundamental contribution of existential thought lies in the idea that one's identity is constituted neither by nature nor by culture, since to “exist” is precisely to constitute such an identity. It is in light of this idea that key existential notions such as facticity, transcendence (project), alienation, and authenticity must be understood.

At first, it seems hard to understand how one can say much about existence as such. Traditionally, philosophers have connected the concept of existence with that of essence in such a way that the former signifies merely the instantiation of the latter. If “essence” designates what a thing is and “existence” that it is, it follows that what is intelligible about any given thing, what can be thought about it, will belong to its essence. It is from essence in this sense—say, human being as rational animal or imago Dei—that ancient philosophy drew its prescriptions for an individual's way of life, its estimation of the meaning and value of existence. Having an essence meant that human beings could be placed within a larger whole, a kosmos, that provided the standard for human flourishing. Modern philosophy retained this framework even as it abandoned the idea of a “natural place” for man in the face of the scientific picture of an infinite, labyrinthine universe. In what looks like a proto-existential move, Descartes rejected the traditional essential definitions of man in favor of a radical, first-person reflection on his own existence, the “I am.” Nevertheless, he quickly reinstated the old model by characterizing his existence as that of a substance determined by an essential property, “thinking.” In contrast, Heidegger proposes that “I” am “an entity whose what [essence] is precisely to be and nothing but to be” (Heidegger 1985: 110; 1962: 67). Such an entity's existing cannot, therefore, be thought as the instantiation of an essence, and consequently what it means to be such an entity cannot be determined by appeal to pre-given frameworks or systems—whether scientific, historical, or philosophical.

2.1 Facticity and Transcendence

Of course, there is a sense in which human beings do instantiate essences, as Heidegger's phrase already admits.[5] But what matters for existential thought is the manner of such instantiation, the way of existing. What this means can be seen by contrasting human existence with the modes of being Heidegger terms the “available” (or “ready-to-hand,” zuhanden) and the “occurrent” (or “present-at-hand,” vorhanden). Entities of the first sort, exemplified by tools as they present themselves in use, are defined by the social practices in which they are employed, and their properties are established in relation to the norms of those practices. A saw is sharp, for instance, in relation to what counts as successful cutting. Entities of the second sort, exemplified by objects of perceptual contemplation or scientific investigation, are defined by the norms governing perceptual givenness or scientific theory-construction. An available or occurrent entity instantiates some property if that property is truly predicated of it. Human beings can be considered in this way as well. However, in contrast to the previous cases, the fact that natural and social properties can truly be predicated of human beings is not sufficient to determine what it is for me to be a human being. This, the existentialists argue, is because such properties are never merely brute determinations of who I am but are always in question. Who I am depends on what I make of my “properties”; they matter to me in a way that is impossible for merely available and occurrent entities. As Heidegger puts it, existence is “care” (Sorge): to exist is not simply to be, but to be an issue for oneself. In Sartre's terms, while other entities exist “in themselves” (en soi) and “are what they are,” human reality is also “for itself” (pour soi) and thus is not exhausted by any of its determinations. It is what it is not and is not what it is (Sartre 1992: 112).

Human existence, then, cannot be thought through categories appropriate to things: substance, event, process. There is something of an internal distinction in existence that undermines such attempts, a distinction that existential philosophers try to capture in the categories of “facticity” and “transcendence.” To be is to co-ordinate these opposed moments in some way, and who I am, my essence, is nothing but my manner of co-ordinating them. In this sense human beings make themselves in situation: what I am cannot be separated from what I take myself to be. In Charles Taylor's phrase, human beings are “self-interpreting animals” (Taylor 1985: 45), where the interpretation is constitutive of the interpreter. If such a view is not to collapse into contradiction the notions of facticity and transcendence must be elucidated. Risking some oversimplification, they can be approached as the correlates of the two attitudes I can take toward myself: the attitude of third-person theoretical observer and the attitude of first-person practical agent.

Facticity includes all those properties that third-person investigation can establish about me: natural properties such as weight, height, and skin color; social facts such as race, class, and nationality; psychological properties such as my web of belief, desires, and character traits; historical facts such as my past actions, my family background, and my broader historical milieu; and so on.[6] I am not originally aware of my facticity in this third-person way; rather, it is manifest in my moods as a kind of burden, the weight of “having to be.” However, I can adopt a third-person or objectifying stance toward my own being, and then these aspects of my facticity may appear precisely as that which defines or determines who I am. From an existential point of view, however, this would be an error—not because these aspects of my being are not real or factual, but because the kind of being that I am cannot be defined in factual, or third-person, terms.[7] These elements of facticity cannot be said to belong to me in the way that the color of an apple belongs to the apple, for as belonging to me, as “determining” me, they have always already been interpreted by me. Though third-person observation can identify skin color, class, or ethnicity, the minute it seeks to identify them as mine it must contend with the distinctive character of the existence I possess. There is no sense in which facticity is both mine and merely a matter of fact, since my existence—the kind of being I am—is also defined by the stance I take toward my facticity. This is what existential philosophers call “transcendence.”

Transcendence refers to that attitude toward myself characteristic of my practical engagement in the world, the agent's perspective. An agent is oriented by the task at hand as something to be brought about through its own will or agency. Such orientation does not take itself as a theme but loses itself in what is to be done. Thereby, things present themselves not as indifferent givens, facts, but as meaningful: salient, expedient, obstructive, and so on. To speak of “transcendence” here is to indicate that the agent “goes beyond” what simply is toward what can be: the factual—including the agent's own properties—always emerges in light of the possible, where the possible is not a function of anonymous forces (third-person or logical possibility) but a function of the agent's choice and decision.[8] Just as this suddenly empty pen is either a nettlesome impediment to my finishing this article, or a welcome occasion for doing something else, depending on how I determine my behavior in relation to it, so too my own factic properties—such as irrascibility, laziness, or bourgeois workaholism—take on meaning (become functioning reasons) on the basis of how I endorse or disavow them in the present action.

Existentialists tend to describe the perspective of engaged agency in terms of “choice,” and they are sometimes criticized for this. It may be—the argument runs—that I can be said to choose a course of action at the conclusion of a process of deliberation, but there seems to be no choice involved when, in the heat of the moment, I toss the useless pen aside in frustration. Can its being useless be traced back to my “choice” to be frustrated? But the point in using such language is simply to insist that in the first-person perspective of agency I cannot conceive myself as determined by anything that is available to me only in third-person terms. Behind the existentialist's insistence that facticity and transcendence remain irreducible aspects of one and the same being is the insight that, for a being who can say “I,” the third-person perspective on who one is has no more authority than the first-person (agent's) perspective.[9]

Because existence is co-constituted by facticity and transcendence, the self cannot be conceived as a Cartesian ego but is embodied being-in-the-world, a self-making in situation. It is through transcendence—or what the existentialists also refer to as my “projects”—that the world is revealed, takes on meaning; but such projects are themselves factic or “situated”—not the product of some antecedently constituted “person” or intelligible character but embedded in a world that is decidedly not my representation. Because my projects are who I am in the mode of engaged agency (and not like plans that I merely represent to myself in reflective deliberation), the world in a certain sense reveals to me who I am. For reasons to be explored in the next section, the meaning of my choice is not always transparent to me. Nevertheless, because it necessarily reveals the world in a certain way, that meaning, my own “identity,” can be discovered by what Sartre calls “existential psychoanalysis.” By understanding an individual's patterns of behavior—that is, by reconstructing the meaningful world that such behavior reveals—one can uncover the “fundamental project” or basic choice of oneself that gives distinctive shape to an individual life. Existential psychoanalysis represents a kind of compromise between the first- and third-person perspectives: like the latter, it objectifies the person and treats its open-ended practical horizons as in a certain sense closed; like the former, however, it seeks to understand the choices from the inside, to grasp the identity of the individual as a matter of the first-person meaning that haunts him, rather than as a function of inert psychic mechanisms with which the individual has no acquaintance.[10]

2.2 Alienation

The anti-Cartesian view of the self as in situation yields the familiar existential theme of the “alienated” self, the estrangement of the self both from the world and from itself. In the first place, though it is through my projects that world takes on meaning, the world itself is not brought into being through my projects; it retains its otherness and thus can come forth as utterly alien, as unheimlich. Sometimes translated as “uncanny,” this Heideggerian word's stem (Heim, “home”) points, instead, to the strangeness of a world in which I precisely do not feel “at home.” (see the section on The Ideality of Values below). This experience, basic to existential thought, contrasts most sharply with the ancient notion of a kosmos in which human beings have a well-ordered place, and it connects existential thought tightly to the modern experience of a meaningless universe.

In the second place, the world includes other people, and as a consequence I am not merely the revealer of the world but something revealed in the projects of those others. Thus who I am is not merely a function of my own projects, but is also a matter of my “being-for-others.” Sartre (1992: 340-58) brings out this form of alienation in his famous analysis of “the Look.” So long as I am engaged unreflectively in a certain practice I am nothing but that first-person perspective which constitutes things as having a distinctive salience in light of what I am doing. I am absorbed in the world and do not experience myself as having an “outside”; that is, I do not understand my action through some third-person description, as an instance of some general behavior. However, when I become aware of being looked at (that is, when my subjectivity is invaded by the subjectivity of another for whom I am merely part of the world, an item for her projects ), I become aware of having a “nature,” a “character,” of being or doing something. I am not merely looking through a keyhole; I am a voyeur. I cannot originally experience myself as something—a voyeur, for instance. Only the other can give rise to this mode of my being, a mode that I acknowledge as mine (and not merely the other's opinion of me) in the shame in which I register it. It is because there are others in the world that I can take a third-person perspective on myself; but this reveals the extent to which I am alienated from a dimension of my being: who I am in an objective sense can be originally revealed only by the Other. This has implications for existential social theory (see the section on Sartre: Existentialism and Marxism below).

Finally, the self-understanding, or project, thanks to which the world is there for me in a meaningful way, already belongs to that world, derives from it, from the tradition or society in which I find myself. Though it is “me,” it is not me “as my own.” My very engagement in the world alienates me from my authentic possibility. This theme is brought out most clearly by Heidegger: the anti-Cartesian idea that the self is defined first of all by its practical engagement entails that this self is not properly individual but rather indisinguishable from anyone else (das Man) who engages in such practices: such a “they-self” does what “one” does. The idea is something like this: Practices can allow things to show up as meaningful—as hammers, dollar bills, or artworks—because practices involve aims that carry with them norms, satisfaction conditions, for what shows up in them. But norms and rules, as Wittgenstein has shown, are essentially public, and that means that when I engage in practices I must be essentially interchangeable with anyone else who does: I eat as one eats; I drive as one drives; I even protest as one protests. To the extent that my activity is to be an instance of such a practice, I must do it in the normal way. Deviations can be recognized as deviations only against this norm, and if they deviate too far they can't be recognized at all.[11] Thus, if who I am is defined through existing, this “who” is normally pre-defined by what is average, by the roles available to me in my culture, and so on. The “I” that gets defined is thereby “anonymous,” or “anyone”; self-making is largely a function of not distinguishing myself from others.

If there is nevertheless good sense in talking of the singularity of my existence, it will not be something with which one starts but something that gets achieved in recovering oneself from alienation or lostness in the “crowd.” If the normative is first of all the normal, however, it might seem that talk about a norm for the singularity of existence, a standard for thinking about what is my ownmost just as I myself, would be incoherent. It is here that the idea of “authenticity” must come into focus.

2.3 Authenticity

By what standard are we to think our efforts “to be,” our manner of being a self? If such standards traditionally derive from the essence that a particular thing instantiates—this hammer is a good one if it instantiates what a hammer is supposed to be—and if there is nothing that a human being is, by its essence, supposed to be, can the meaning of existence at all be thought? Existentialism arises with the collapse of the idea that philosophy can provide substantive norms for existing, ones that specify particular ways of life. Nevertheless, there remains the distinction between what I do “as” myself and as “anyone,” so in this sense existing is something at which I can succeed or fail. Authenticity—in German, Eigentlichkeit—names that attitude in which I engage in my projects as my own (eigen).

What this means can perhaps be brought out by considering moral evaluations. In keeping my promise I act in accord with duty; and if I keep it because it is my duty, I also act morally (according to Kant) because I am acting for the sake of duty. But existentially there is still a further evaluation to be made. My moral act is inauthentic if, in keeping my promise for the sake of duty, I do so because that is what “one” does (what “moral people” do). But I can do the same thing authentically if, in keeping my promise for the sake of duty, acting this way is something I choose as my own, something to which, apart from its social sanction, I commit myself. Similarly, doing the right thing from a fixed and stable character—which virtue ethics considers a condition of the good—is not beyond the reach of existential evaluation: such character may simply be a product of my tendency to “do what one does,” including feeling “the right way” about things and betaking myself in appropriate ways as one is expected to do. But such character might also be a reflection of my choice of myself, a commitment I make to be a person of this sort. In both cases I have succeeded in being good; only in the latter case, however, have I succeeded in being myself.[12]

Thus the norm of authenticity refers to a kind of “transparency” with regard to my situation, a recognition that I am a being who can be responsible for who I am. In choosing in light of this norm I can be said to recover myself from alienation, from my absorption in the anonymous “one-self” that characterizes me in my everyday engagement in the world. Authenticity thus indicates a certain kind of integrity—not that of a pre-given whole, an identity waiting to be discovered, but that of a project to which I can either commit myself (and thus “become” what it entails) or else simply occupy for a time, inauthentically drifting in and out of various affairs. Some writers have taken this notion a step further, arguing that the measure of an authentic life lies in the integrity of a narrative, that to be a self is to constitute a story in which a kind of wholeness prevails, to be the author of oneself as a unique individual (Nehamas 1998; Ricoeur 1992). In contrast, the inauthentic life would be one without such integrity, one in which I allow my life-story to be dictated by the world. Be that as it may, it is clear that one can commit oneself to a life of chamealeon-like variety, as does Don Juan in Kierkegaard's version of the legend. Even interpreted narratively, then, the norm of authenticity remains a formal one. As with Kierkegaard's Knight of Faith, one cannot tell who is authentic by looking at the content of their lives.[13]

Authenticity defines a condition on self-making: do I succeed in making myself, or will who I am merely be a function of the roles I find myself in? Thus to be authentic can also be thought as a way of being autonomous. In choosing “resolutely”—that is, in commiting myself to a certain course of action, a certain way of being in the world—I have given myself the rule that belongs to the role I come to adopt. The inauthentic person, in contrast, merely occupies such a role, and may do so “irresolutely,” without commitment. Being a father authentically does not necessarily make me a better father, but what it means to be a father has become explicitly my concern. It is here that existentialism locates the singularity of existence and identifies what is irreducible in the first-person stance. At the same time, authenticity does not hold out some specific way of life as a norm; that is, it does not distinguish between the projects that I might choose. Instead, it governs the manner in which I am engaged in such projects—either as “my own” or as “what one does,” transparently or opaquely.

Thus existentialism's focus on authenticity leads to a distinctive stance toward ethics and value-theory generally. The possibility of authenticity is a mark of my freedom, and it is through freedom that existentialism approaches questions of value, leading to many of its most recognizable doctrines.

3. Freedom and Value

Existentialism did not develop much in the way of a normative ethics; however, a certain approach to the theory of value and to moral psychology, deriving from the idea of existence as self-making in situation, are distinctive marks of the existentialist tradition. In value theory, existentialists tend to emphasize the conventionality or groundlessness of values, their “ideality,” the fact that they arise entirely through the projects of human beings against the background of an otherwise meaningless and indifferent world. Existential moral psychology emphasizes human freedom and focuses on the sources of mendacity, self-deception, and hypocrisy in moral consciousness. The familiar existential themes of anxiety, nothingness, and the absurd must be understood in this context. At the same time, there is deep concern to foster an authentic stance toward the human, groundless, values without which no project is possible, a concern that gets expressed in the notions of “engagement” and “commitment.”[14]

3.1 Anxiety, Nothingness, the Absurd

As a predicate of existence, the concept of freedom is not initially established on the basis of arguments against determinism; nor is it, in Kantian fashion, taken simply as a given of practical self-consciousness. Rather, it is located in the breakdown of direct practical activity. The “evidence” of freedom is a matter neither of theoretical nor of practical consciousness but arises from the self-understanding that accompanies a certain mood into which I may fall, namely, anxiety (Angst, angoisse). Both Heidegger and Sartre believe that phenomenological analysis of the kind of intentionality that belongs to moods does not merely register a passing modification of the psyche but reveals fundamental aspects of the self. Fear, for instance, reveals some region of the world as threatening, some element in it as a threat, and myself as vulnerable. In anxiety, as in fear, I grasp myself as threatened or as vulnerable; but unlike fear, anxiety has no direct object, there is nothing in the world that is threatening. This is because anxiety pulls me altogether out of the circuit of those projects thanks to which things are there for me in meaningful ways; I can no longer “gear into” the world. And with this collapse of my practical immersion in roles and projects, I also lose the basic sense of who I am that is provided by these roles. In thus robbing me of the possibility of practical self-identification, anxiety teaches me that I do not coincide with anything that I factically am. Further, since the identity bound up with such roles and practices is always typical and public, the collapse of this identity reveals an ultimately first-personal aspect of myself that is irreducible to das Man. As Heidegger puts it, anxiety testifies to a kind of “existential solipsism.” It is this reluctant, because disorienting and dispossessing, retreat into myself in anxiety that yields the existential figure of the outsider, the isolated one who “sees through” the phoniness of those who, unaware of what the breakdown of anxiety portends, live their lives complacently identifying with their roles as though these roles thoroughly defined them. While this “outsider” stance may be easy to ridicule as adolescent self-absorption, it is also solidly supported by the phenomenology (or moral psychology) of first-person experience.

The experience of anxiety also yields the existential theme of the absurd, a version of what was previously introduced as alienation from the world (see the section on Alienation above). So long as I am gearing into the world practically, in a seamless and absorbed way, things present themselves as meaningfully co-ordinated with the projects in which I am engaged; they show me the face that is relevant to what I am doing. But the connection between these meanings and my projects is not itself something that I experience. Rather, the hammer's usefulness, its value as a hammer, appears simply to belong to it in the same way that its weight or color does. So long as I am practically engaged, in short, all things appear to have reasons for being, and I, correlatively, experience myself as fully at home in the world. The world has an order that is largely transparent to me (even its mysteries are grasped simply as something for which there are reasons that are there “for others,” for “experts,” merely beyond my limited horizon). In the mood of anxiety, however, it is just this character that fades from the world. Because I am no longer practically engaged, the meaning that had previously inhabited the thing as the density of its being now stares back at me as a mere name, as something I “know” but which no longer claims me. As when one repeats a word until it loses meaning, anxiety undermines the taken-for-granted sense of things. They become absurd. Things do not disappear, but all that remains of them is the blank recognition that they are—an experience that informs a central scene in Sartre's novel Nausea. As Roquentin sits in a park, the root of a tree loses its character of familiarity until he is overcome by nausea at its utterly alien character, its being en soi. While such an experience is no more genuine than my practical, engaged experience of a world of meaning, it is no less genuine either. An existential account of meaning and value must recognize both possibilities (and their intermediaries). To do so is to acknowledge a certain absurdity to existence: though reason and value have a foothold in the world (they are not, after all, my arbitrary invention), they nevertheless lack any ultimate foundation. Values are not intrinsic to being, and at some point reasons give out.[15]

Another term for the groundlessness of the world of meaning is “nothingness.” Heidegger introduced this term to indicate the kind of self- and world-understanding that emerges in anxiety: because my practical identity is constituted by the practices I engage in, when these collapse I “am” not anything. In a manner of speaking I am thus brought face-to-face with my own finitude, my “death” as the possibility in which I am no longer able to be anything. This experience of my own death, or “nothingness,” in anxiety can act as a spur to authenticity: I come to see that I “am” not anything but must “make myself be” through my choice. In commiting myself in the face of death—that is, aware of the nothingness of my identity if not supported by me right up to the end—the roles that I have hitherto thoughtlessly engaged in as one does now become something that I myself own up to, become responsible for. Heidegger termed this mode of self-awareness—awareness of the ultimate nothingness of my practical identity—“freedom,” and Sartre developed this existential concept of freedom in rich detail. This is not to say that Heidegger's and Sartre's views on freedom are identical. Heidegger, for instance, will emphasize that freedom is always “thrown” into an historical situation from which it draws its possibilities, while Sartre (who is equally aware of the “facticity” of our choices) will emphasize that such “possibilities” nevertheless underdetermine choice. But the theory of radical freedom that Sartre develops is nevertheless directly rooted in Heidegger's account of the nothingness of my practical identity.

Sartre (1992: 70) argues that anxiety provides a lucid experience of that freedom which, though often concealed, characterizes human existence as such. For him, freedom is the dislocation of consciousness from its object, the fundamental “nihilation” or negation by means of which consciousness can grasp its object without losing itself in it: to be conscious of something is to be conscious of not being it, a “not” that arises in the very structure of consciousness as being for-itself. Because “nothingness” (or nihilation) is just what consciousness is, there can be no objects in consciousness, but only objects for consciousness.[16] This means that consciousness is radically free, since its structure precludes that it either contain or be acted on by things. For instance, because it is not thing-like, consciousness is free with regard to its own prior states. Motives, instincts, psychic forces, and the like cannot be understood as inhabitants of consciousness that might infect freedom from within, inducing one to act in ways for which one is not responsible; rather, they can exist only for consciousness as matters of choice. I must either reject their claims or avow them. For Sartre, the ontological freedom of existence entails that determinism is an excuse before it is a theory: though through its structure of nihilation consciousness escapes that which would define it—including its own past choices and behavior—there are times when I may wish to deny my freedom. Thus I may attempt to constitute these aspects of my being as objective “forces” which hold sway over me in the manner of relations between things. This is to adopt the third-person stance on myself, in which what is originally structured in terms of freedom appears as a causal property of myself. I can try to look upon myself as the Other does, but as an excuse this flight from freedom is shown to fail, according to Sartre, in the experience of anguish.

For instance, Sartre writes of a gambler who, after losing all and fearing for himself and his family, retreats to the reflective behavior of resolving never to gamble again. This motive thus enters into his facticity as a choice he has made; and, as long as he retains his fear, his living sense of himself as being threatened, it may appear to him that this resolve actually has causal force in keeping him from gambling. However, one evening he confronts the gaming tables and is overcome with anguish at the recognition that his resolve, while still “there,” retains none of its power: it is an object for consciousness but is not (and never could have been) something in consciousness that was determining his actions. In order for it to influence his behavior he has to avow it afresh, but this is just what he cannot do; indeed, just this is what he hoped the original resolve would spare him from having to do. He will have to “remake” the self who was in the original situation of fear and threat. At this point, perhaps, he will try to relieve himself of freedom by giving in to the urge to gamble and chalking it up to “deeper” motives that overcame the initial resolve, problems from his childhood perhaps. But anguish can recur with regard to this strategy as well—for instance, if he needs a loan to continue gambling and must convince someone that he is “as good as his word.” The possibilities for self-deception in such cases are endless.

As Sartre points out in great detail, anguish, as the consciousness of freedom, is not something that human beings welcome; rather, we seek stability, identity, and adopt the language of freedom only when it suits us: those acts are considered by me to be my free acts which exactly match the self I want others to take me to be. We are “condemned to be free,” which means that we can never simply be who we are but are separated from ourselves by the nothingness of having perpetually to re-choose, or re-commit, ourselves to what we do. Characteristic of the existentialist outlook is the idea that we spend much of lives devising strategies for denying or evading the anguish of freedom. One of these strategies is “bad faith.” Another is the appeal to values.

3.2 The Ideality of Values

The idea that freedom is the origin of value—where freedom is defined not in terms of acting rationally (Kant) but rather existentially, as choice and transcendence—is the idea perhaps most closely associated with existentialism. So influential was this general outlook on value that Karl-Otto Apel (1973: 235) came to speak of a kind of “official complementarity of existentialism and scientism” in Western philosophy, according to which what can be justified rationally falls under the “value-free objectivism of science” while all other validity claims become matters for an “existential subjectivism of religious faith and ethical decisions.” Positivism attempted to provide a theory of “cognitive meaning” based on what it took to be the inner logic of scientific thought, and it relegated questions of value to cognitive meaninglessness, reducing them to issues of emotive response and subjective preference. While it does not explain evaluative language solely as a function of affective attitudes, existential thought, like positivism, denies that values can be grounded in being—that is, that they can become the theme of a scientific investigation capable of distinguishing true (or valid) from false values.[17] In this regard Sartre speaks of the “ideality” of values, by which he means not that they have some sort of timeless validity but that they have no real authority and cannot be used to underwrite or justify my behavior. For Sartre, “values derive their meaning from an original projection of myself which stands as my choice of myself in the world.” But if that is so, then I cannot, without circularity, appeal to values in order to justify this very choice: “I make my decision concerning them—without justification and without excuse” (Sartre 1992: 78). This so-called “decisionism” has been a hotly contested legacy of existentialism and deserves a closer look here.

How is it that values are supposed to be grounded in freedom? By “value” Sartre means those aspects of my experience that do not merely causally effectuate something but rather make a claim on me: I do not just see the homeless person but encounter him as “to be helped”; I do not just hear the other's voice but register “a question to be answered honestly”; I do not simply happen to sit quietly in Church but “attend reverently”; I do not merely hear the alarm clock but am “summoned to get up.” Values, then, as Sartre writes, appear with the character of demands and as such they “lay claim to a foundation” or justification (Sartre 1992: 76). Why ought I help the homeless, answer honestly, sit reverently, or get up? Sartre does not claim that there is no answer to these questions but only that the answer depends, finally, on my choice of “myself” which cannot in turn be justfied by appeal to a value. As he puts it, “value derives its being from its exigency and not its exigency from its being.” The exigency of value cannot be grounded in being itself, since it would thereby lose its character as an ought; it would “cease even to be value” since it would have the kind of exigency (contrary to freedom) possessed by a mere cause. Thus, against then-current value-theoretical intuitionism, Sartre denies that value can “deliver itself to a contemplative intuition which would apprehend it as being value and thereby would derive from it its right over my freedom.” Instead, “it can be revealed only to an active freedom which makes it exist as a value by the sole fact of recognizing it as such” (Sartre 1992: 76).

For instance, I do not grasp the exigency of the alarm clock (its character as a demand) in a kind of disinterested perception but only in the very act of responding to it, of getting up. If I fail to get up the alarm has, to that very extent, lost its exigency. Why must I get up? At this point I may attempt to justify its demand by appeal to other elements of the situation with which the alarm is bound up: I must get up because I must go to work. From this point of view the alarm's demand appears—and is—justified, and such justification will often suffice to get me going again. But the question of the foundation of value has simply been displaced: now it is my job that, in my active engagement, takes on the unquestioned exigency of a demand or value. But it too derives its being as a value from its exigency—that is, from my unreflective engagement in the overall practice of going to work. Ought I go to work? Why not be “irresponsible”? If a man's got to eat, why not rather take up a life of crime? If these questions have answers that are themselves exigent it can only be because, at a still deeper level, I am engaged as having chosen myself as a person of a certain sort: respectable, responsible. From within that choice there is an answer of what I ought to do, but outside that choice there is none—why should I be respectable, law-abiding?—for it is only because some choice has been made that anything at all can appear as compelling, as making a claim on me. Only if I am at some level engaged do values (and so justification in terms of them) appear at all. The more I pull out of engagement toward reflection on and questioning of my situation, the more I am threatened by ethical anguish—“which is the recognition of the ideality of values” (Sartre 1992: 76). And, as with all anguish, I do not escape this situation by discovering the true order of values but by plunging back into action. If the idea that values are without foundation in being can be understood as a form of nihilism, the existential response to this condition of the modern world is to point out that meaning, value, is not first of all a matter of contemplative theory but a consequence of engagement and commitment.

Thus value judgments can be justified, but only relative to some concrete and specific project. The “pattern of behavior” of the typical bourgeois defines the meaning of “respectability” (Sartre 1992: 77), and so it is true of some particular bit of behavior that it is either respectable or not. For this reason I can be in error about what I ought to do. It may be that something that appears exigent during the course of my unreflective engagement in the world is something that I ought not to give in to. If, thanks to my commitment to the Resistance, a given official appears to me as to be shot, I might nevertheless be wrong to shoot him—if, for instance, the official was not who I thought he was, or if killing him would in fact prove counter-productive given my longer-term goals. Sartre's fictional works are full of explorations of moral psychology of this sort. But I cannot extend these “hypothetical” justifications to a point where some purely theoretical consideration of my obligations—whether derived from the will of God, from Reason, or from the situation itself—could underwrite my freedom in such a way as to relieve it of responsibility. For in order for such considerations to count I would have to make myself the sort of person for whom God's will, abstract Reason, or the current situation is decisive. For existentialists like Sartre, then, I am “the one who finally makes values exist in order to determine [my] actions by their demands.”[18]

Commitment—or “engagement”—is thus ultimately the basis for an authentically meaningful life, that is, one that answers to the existential condition of being human and does not flee that condition by appeal to an abstract system of reason or divine will. Yet though I alone can commit myself to some way of life, some project, I am never alone when I do so; nor do I do so in a social, historical, or political vaccuum. If transcendence represents my radical freedom to define myself, facticity—that other aspect of my being—represents the situated character of this self-making. Because freedom as transcendence undermines the idea of a stable, timeless system of moral norms, it is little wonder that existential philosophers (with the exception of Simone de Beauvoir) devoted scant energy to questions of normative moral theory. However, because this freedom is always socially (and thereby historically) situated, it is equally unsurprising that their writings are greatly concerned with how our choices and commitments are concretely contextualized in terms of political struggles and historical reality.

4. Politics, History, Engagement

For the existentialists engagement is the source of meaning and value; in choosing myself I in a certain sense make my world. On the other hand, I always choose myself in a context where there are others doing the same thing, and in a world that has always already been there. In short, my acting is situated, both socially and historically. Thus, in choosing myself in the first-person singular, I am also choosing in such a way that a first-person plural, a “we,” is simultaneously constituted. Such choices make up the domain of social reality: they fit into a pre-determined context of roles and practices that go largely unquestioned and may be thought of as a kind of collective identity. In social action my identity takes shape against a background (the collective identity of the social formation) that remains fixed. On the other hand, it can happen that my choice puts this social formation or collective identity itself into question: who I am to be is thus inseperable from the question of who we are to be. Here the first-person plural is itself the issue, and the action that results from such choices constitutes the field of the political.

If authenticity is the category by which I am able to think about what it means to “exist,” then, the account of authenticity cannot neglect the social, historical, and political aspects of that existence. Thus it is not merely because twentieth-century existentialism flourished at a time when European history appeared to collapse and political affairs loomed especially large that existential philosophers devoted much attention to these matters; rather, the demand for an account of the “situation” stems from the very character of existence itself, which, unlike the classical “rational subject,” is what it is only in relation to its “time.” This is not to say, however, that existential philosophers are unanimous in their account of the importance of historical factors or in their estimation of the political in relation to other aspects of existence. Emmanuel Levinas, for example, whose early work belonged within the orbit of existential philosophy, opposed to the “horizontal” temporality of political history a “vertical” or eschatological temporality that radically challenged all historical meaning, while Sartre, in contrast, produced a version of Marxist historical materialism in which existentialism itself became a mere ideology. But we cannot stop to examine all such differences here. Instead, we shall look at the positions of Heidegger and Sartre, who provide opposing examples of how an authentic relation to history and politics can be understood.

4.1 Heidegger: History as Claim

For Heidegger, to exist is to be historical. This does not mean that one simply finds oneself at a particular moment in history, conceived as a linear series of events. Rather, it means that selfhood has a peculiar temporal structure that is the origin of that “history” which subsequently comes to be narrated in terms of a series of events. Existential temporality is not a sequence of instants but instead a unified structure in which the “future” (that is, the possibility aimed at in my project) recollects the “past” (that is, what no longer needs to be done, the completed) so as to give meaning to the “present” (that is, the things that take on significance in light of what currently needs doing). To act, therefore, is, in Heidegger's terms, to “historize” (geschehen), to constitute something like a narrative unity, with beginning, middle, and end, that does not so much take place in time as provides the condition for linear time. To exist “between birth and death,” then, is not merely to be present in each of a discrete series of temporal instants but to consitute oneself in the unity of a history, and authentic existence is thus one in which the projects that give shape to existence are ones to which I commit myself in light of this history. Though it belongs to, and defines, a “moment,” choice cannot be simply “of the moment”; to be authentic I must understand my choice in light of the potential wholeness of my existence.[19]

That this choice has a political dimension stems from the fact that existence is always being-with-others. Though authenticity arises on the basis of my being alienated, in anxiety, from the claims made by norms belonging to the everyday life of das Man, any concrete commitment that I make in the movement to recover myself will enlist those norms in two ways. First, what I commit myself to will always be derived from (though not reducible to) some “possibility of Dasein that has been there” (Heidegger 1962: 438): I cannot make my identity from whole cloth; I will always understand myself in terms of some way of existing that has been handed down within my tradition.[20] I “choose my hero” (Heidegger 1962: 437) by, for instance, committing myself to a philosophical life, which I understand on the model of Socrates, or to a religious life, which I understand on the model of St. Francis. The point is that I must understand myself in terms of something, and these possibilities for understanding come from the historical heritage and the norms that belong to it. Heidegger thinks of this historical dimension as a kind of “fate” (Schicksal): not something inevitable that controls my choice but something that, inherited from my historical situation, claims me, holds a kind of authority for me.

The second way in which the everyday norms of das Man are enlisted in authentic choice stems from the fact that when I commit myself to my “fate” I do so “in and with my ‘generation’” (Heidegger 1962: 436). The idea here seems roughly to be this: To opt for a way of going on is to affirm the norms that belong to it; and because of the nature of normativity it is not possible to affirm norms that would hold only for me. There is a kind of publicity and scope in the normative such that, when I choose, I exemplify a standard for others as well. Similarly, Heidegger holds that the sociality of my historizing restricts what can be a genuine “fate” or choice for me. Acting is always with others—more specifically, with a “community” or a “people” (Volk)—and together this “co-historizing” responds to a “destiny” (Geschick) which has guided our fates in advance (Heidegger 1962: 436). Not everything is really possible for us, and an authentic choice must strive to respond to the claim that history makes on the people with whom one belongs, to seize its “destiny.” Along this communitarian axis, then, existential historicality can open out onto the question of politics: who are “we” to be?

Heidegger suggests that it was this concept of historicality that underwrote his own concrete political engagement during the period of National Socialism in Germany. Disgusted with the political situation in Weimar Germany and characterizing it as especially irresolute or inauthentic, Heidegger looked upon Hitler's movement as a way of recalling the German people back to their “ownmost” possibility—i.e., a way for Germany to constitute itself authentically as an alternative to the political models of Russia and the United States. Heidegger's choice to intervene in university politics at this time was thus both a choice of himself—in which he chose his hero: Plato's “philosopher-king” (see Arendt 1978)—and a choice for his “generation.” Much is controversial about Heidegger's engagement for National Socialism (not least whether he drew the appropriate consequences from his own concept of authenticity), but it provides a clear example of a kind of existential politics that depends on an ability to “tell time”—that is, to sense the imperatives of one's factic historical situation. Heidegger later became very suspicious of this sort of existential politics. Indeed, for the idea of authenticity as resolute commitment he substituted the idea of a “releasement” (Gelassenheit) and for engagement the stance of “waiting.” He came to believe that the problems that face us (notably, the dominance of technological ways of thinking) have roots that lie deeper than can be addressed through politics directly. He thus famously denied that democracy was sufficient to deal with the political crisis posed by technology, asserting that “only a god can save us” (Heidegger 1981: 55, 57). But even here, in keeping with the existential notion of historicity, Heidegger's recommendations turn on a reading of history, of the meaning of our time.

4.2 Sartre: Existentialism and Marxism

A very different reading, and a very different recommendation, can be found in the work of Sartre. The basis for Sartre's reading of history, and his politics, was laid in that section of Being and Nothingness that describes the birth of the social in the “Look”(le regard) of the other. In making me an object for his projects, the other alienates me from myself, displaces me from the subject position (the position from which the world is defined in its meaning and value) and constitutes me as something. Concretely, what I am constituted “as” is a function of the other's project and not something that I can make myself be. I am constituted as a “Frenchman” in and through the hostility emanating from that German; I am constituted as a “man” in the resentment of that woman; I am constituted as a “Jew” on the basis of the other's anti-semitism; and so on. This sets up a dimension of my being that I can neither control nor disavow, and my only recourse is to wrench myself away from the other in an attempt to restore myself to the subject-position. For this reason, on Sartre's model, social reality is in perpetual conflict—an Hegelian dialectic in which, for ontological reasons, no state of mutual recognition can ever be achieved. The “we”—the political subject—is always contested, conflicted, unstable.

But this instability does have a certain structure, one which Sartre, steeped in the Marxism of inter-war French thought (Alexandre Kojève, Jean Hyppolite), explored in terms of a certain historical materialism. For social relations take place not only between human beings but also within institutions that have developed historically and that enshrine relations of power and domination. Thus the struggle for who will take the subject position is not carried out on equal terms. As Simone de Beauvoir demonstrated in detail in her book, The Second Sex, the historical and institutional place of women is defined in such a way that they are consigned to a kind of permanent “object” status—they are the “second” sex since social norms are defined in male terms. This being so, a woman's struggle to develop self-defining projects is constrained by a permanent institutional “Look” that already defines her as “woman,” whereas a man need not operate under constraints of gender; he feels himself to be simply “human,” pure subjectivity. Employing similar insights in reflection on the situations of ethnic and economic oppression, Sartre sought a way to derive political imperatives in the face of the groundlessness of moral values entailed by his view of the ideality of values.

At first, Sartre argued that there was one value—namely freedom itself—that did have a kind of universal authority. To commit oneself to anything is also always to commit oneself to the value of freedom. In “Existentialism is a Humanism” Sartre tried to establish this by way of a kind of transcendental argument, but he soon gave up that strategy and pursued the more modest one of claiming that the writer must always engage “on the side of freedom.” According to the theory of “engaged literature” expounded in What is Literature?, in creating a literary world the author is always acting either to imagine paths toward overcoming concrete unfreedoms such as racism and capitalist exploitation, or else closing them off. In the latter case, he is contradicting himself, since the very idea of writing presupposes the freedom of the reader, and that means, in principle, the whole of the reading public. Whatever the merits of this argument, it does suggest the political value to which Sartre remained committed throughout his life: the value of freedom as self-making.

This commitment finally led Sartre to hold that existentialism itself was only an “ideological” moment within Marxism, which he termed “the one philosophy of our time which we cannot go beyond” (Sartre 1968:xxxiv). As this statement suggests, Sartre's embrace of Marxism was a function of his sense of history as the factic situation in which the project of self-making takes place. Because existing is self-making (action), philosophy—including existential philosophy—cannot be understood as a disinterested theorizing about timeless essences but is always already a form of engagement, a diagnosis of the past and a projection of norms appropriate to a different future in light of which the present takes on significance. It therefore always arises from the historical-political situation and is a way of intervening in it. Marxism, like existentialism, makes this necessarily practical orientation of philosophy explicit.

From the beginning existentialism saw itself in this activist way (and this provided the basis for the most serious disagreements among French existentialists such as Sartre, Merleau-Ponty, and Camus, many of which were fought out in the pages of the journal founded by Sartre and Merleau-Ponty, Les Temps Modernes). But the later Sartre came to hold that a philosophy of self-making could not content itself with highlighting the situation of individual choice; an authentic political identity could only emerge from a theory that situated such choice in a practically oriented analysis of its concrete situation. Thus it appeard to him that the “ideology of existence” was itself merely an alienated form of the deeper analysis of social and historical reality provided by Marx's dialectical approach. In focusing on the most important aspects of the material condition in which the existential project of self-making takes place—namely, economic relations under conditions of scarcity—Marx's critique of capital offered a set of considerations that no “philosophy of freedom” could ignore, considerations that would serve to orient political engagement until such time as “there will exist for everyone a margin of real freedom beyond the production of life” (Sartre 1968: 34). Marxism is unsurpassable, therefore, because it is the most lucid theory of our alienated situation of concrete unfreedom, oriented toward the practical-political overcoming of that unfreedom.

Sartre's relation to orthodox Marxism was marked by tension, however, since he held that existing Marxism had abandoned the promise of its dialectical approach to social reality in favor of a dogmatic “apriorism” that subsumed historical reality under a blanket of lifeless abstractions. He thus undertook his Critique of Dialectical Reason to restore the promise of Marxism by reconceiving its concept of praxis in terms of the existential notion of project. What had become a rigid economic determinism would be restored to dialectical fluidity by recalling the existential doctrine of self-making: it is true that man is “made” by history, but at the same time he is making that very history. This attempt to “reconquer man within Marxism” (Sartre 1968: 83)—i.e., to develop a method which would preserve the concrete details of human reality as lived experience—was not well received by orthodox Marxists. Sartre's fascination with the details of Flaubert's life, or the life of Baudelaire, smacked too much of “bourgeois idealism.” But we see here how Sartre's politics, like Heidegger's, derived from his concept of history: there are no iron-clad laws that make the overthrow of capitalism the inevitable outcome of economic forces; there are only men in situation who make history as they are made by it. Dialectical materialism is the unsurpassable philosophy of those who choose, who commit themselves to, the value of freedom. The political claim that Marxism has on us, then, would rest upon the ideological enclave within it: authentic existence as choice.

Authentic existence thus has an historical, political dimension; all choice will be attentive to history in the sense of contextualizing itself in some temporally narrative understanding of its place. But even here it must be admitted that what makes existence authentic is not the correctness of the narrative understanding it adopts. Authenticity does not depend on some particular substantive view of history, some particular theory or empirical story. From this point of view, the substantive histories adopted by existential thinkers as different as Heidegger and Sartre should perhaps be read less as scientific accounts, defensible in third-person terms, than as articulations of the historical situation from the perspective of what that situation is taken to demand, given the engaged commitment of their authors. They stand, in other words, less as justifications for their authors' existential and political commitments than as themselves a form of politics: invitations to others to see things as the author sees them, so that the author's commitment to going on in a certain way will come to be shared.

5. Existentialism Today

As a cultural movement, existentialism belongs to the past. As a philosophical inquiry that introduced a new norm, authenticity, for understanding what it means to be human—a norm tied to a distinctive, post-Cartesian concept of the self as practical, embodied, being-in-the-world—existentialism has continued to play an important role in contemporary thought in both the continental and analytic traditions. The Society for Phenomenology and Existential Philosophy, as well as societies devoted to Heidegger, Sartre, Merleau-Ponty, Jaspers, Beauvoir, and other existential philosophers, provide a forum for ongoing work—both of a historical, scholarly nature and of more systematic focus—that derives from classical existentialism, often bringing it into confrontation with more recent movements such as structuralism, deconstruction, hermeneutics, and feminism. In the area of gender studies Judith Butler (1990) draws importantly on existential sources, as does Lewis Gordon (1995) in the area of race theory (see also Bernasconi 2003). Matthew Ratcliffe (2008) develops an existential approach to psychopathology.

Interest in a narrative conception of self-identity—for instance, in the work of Charles Taylor (1999), Paul Ricoeur, David Carr (1986), or Charles Guignon—has its roots in the existential revision of Hegelian notions of temporality and its critique of rationalism. Hubert Dreyfus (1979) developed an influential criticism of the Artificial Intelligence program drawing essentially upon the existentialist idea, found especially in Heidegger and Merleau-Ponty, that the human world, the world of meaning, must be understood first of all as a function of our embodied practices and cannot be represented as a logically structured system of representations. Calling for a “new existentialism,” John Haugeland (1998) has explored the role of existential commitment in scientific practices as truth-tracking practices. In a series of books, Michael Gelven (e.g., 1990, 1997) has reflected upon the distinctions between existential, moral, and epistemological or logical dimensions of experience, showing how the standards appropriate to each intertwine, without reducing to any single one. A revival of interest in moral psychology finds many writers who are taking up the question of self-identity and responsibility in ways that recall the existential themes of self-making and choice—for instance, Christine Korsgaard (1996) appeals crucially to notions of “self-constitution” and “practical identity”; Richard Moran (2001) emphasizes the connection between self-avowal and the first-person perspective in a way that derives in part from Sartre; and Thomas Nagel has followed the existentialist line in connecting meaning to the consciousness of death. Even if such writers tend to proceed with more confidence in the touchstone of rationality than did the classical existentialists, their work operates on the terrain opened up by the earlier thinkers.

In addition, after years of being out of fashion in France, existential motifs have once again become prominent in the work of leading thinkers. Foucault's embrace of a certain concept of freedom, and his exploration of the “care of the self,” recall debates within existentialism, as does Derrida's recent work on religion without God and his reflections on the concepts of death, choice, and responsibility. In very different ways, the books by Cooper (1999) and Alan Schrift (1995) suggest that a re-appraisal of the legacy of existentialism is an important agenda item of contemporary philosophy. Reynolds (2006), for instance, concludes his introduction to existentialism with a consideration of how post-structuralists such as Derrida, Deleuze, and Foucault extend certain reflections found in Sartre, Camus, and Heidegger, while Reynolds (2004) does the same, in more detail for Derrida and Merleau-Ponty. If existentialism's very notoriety as a cultural movement may have impeded its serious philosophical reception, then, it may be that what we have most to learn from existentialism still lies before us.

There are, in fact, reasons to think that such a re-evaluation is currently underway. Several publications that have appeared since the last revision of this article (2010) take up the challenge of bringing existential thought into dialogue with items on the contemporary philosophical agenda. Edward Baring (2011) exhumes the historical relation between Derrida and existentialism and finds a kind of “'Christian' existentialism” in Derrida's work prior to 1952, traces of which are discernible in his later thinking. The collection edited by Judaken and Bernasconi (2012) explores the historical context of existentialist writings informed by contemporary critiques of canonization, while Margaret Simons (2013) re-evaluates the role of Beauvoir, and of feminist thought, in the origins of existentialism itself. In 2011 The Continuum Companion to Existentialism appeared (Joseph, Reynolds, and Woodward 2011), followed by The Cambridge Companion to Existentialism (Crowell 2012). Articles in both volumes are committed to showing the systematic relevance of existential concepts and approaches for contemporary work in philosophy and other fields. Finally, Aho (2014) highlights how, in areas as diverse as cognitive science, psychiatry, health care, and environmental philosophy, “the legacy of existentialism is alive and well” (2014: 140).

Bibliography

The bibliography is divided into two sections; taken together, they provide a representative sample of existentialist writing. The first includes books that are cited in the body of the article. The second contains supplementary reading, including works that have been mentioned in the article, selected works by some of the figures mentioned in the first paragraph of the article, certain classical readings in existentialism, and more recent studies of relevance to the issues discussed. The bibliography is, somewhat arbitrarily, limited to works in English, and no attempt at comprehensiveness has been made. For detailed bibliographies of the major existentialists, including critical studies, the reader is referred to the entries devoted to the individual philosophers. I invite readers to suggest new and noteworthy sources for inclusion here.

Works Cited

  • Aho, K., 2014. Existentialism: An Introduction. Cambridge: Polity Press.
  • Apel, K.-O., 1973. “The Apriori of the Communication Community and the Foundation of Ethics,” in Towards a Transformation of Philosophy. Tr. Glyn Adey and David Frisby. London: Routledge.
  • Arendt, H., 1978. “Heidegger at Eighty,” in Heidegger and Modern Philosophy. Ed. Michael Murray. New Haven: Yale University Press.
  • Baring, E., 2014, The Young Derrida and French Philosophy, 1945-1968. Cambridge: Cambridge University Press.
  • Beauvoir, S., 1989. The Second Sex (1949). Tr. H. M. Parshley. New York: Vintage Books.
  • Bernasconi, R. (ed.), 2003. Race and Racism in Continental Philosophy. Bloomington: Indiana University Press.
  • Butler, J., 1990. Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge.
  • Carr, D., 1986. Time, Narrative, and History, Bloomington: Indiana University Press.
  • Cooper, D., 1999. Existentialism, Oxford: Blackwell.
  • Crowell, S., 2001. Husserl, Heidegger, and the Space of Meaning: Paths Toward Transcendental Phenomenology, Evanston: Northwestern University Press.
  • Crowell, S., 2004. “Authentic Historicality,” in Space, Time, and Culture. Ed. David Carr and Cheung Chan-Fai. Dordrecht: Kluwer.
  • Crowell, S., 2012. The Cambridge Companion to Existentialism. Cambridge: Cambridge University Press.
  • Dreyfus, H., 1979. What Computers Can't Do: The Limits of Artificial Intelligence, New York: Harper Colophon.
  • Dreyfus, H., and J. Haugeland, 1978. “Husserl and Heidegger: Philosophy's Last Stand,” in Heidegger and Modern Philosophy. Ed. Michael Murray. New Haven: Yale University Press.
  • Fackenheim, E., 1961. Metaphysics and Historicity, Milwaukee: Marquette University Press.
  • Fell, J., 1979. Heidegger and Sartre: An Essay on Being and Place, New York: Columbia University Press.
  • Gordon, L., 1995. Bad Faith and Antiblack Racism, Atlantic Highlands: Humanities Press.
  • Gelven, M., 1997. The Risk of Being: What is Means to Be Good and Bad, University Park: Penn State Press.
  • Gelven, M., 1990. Truth and Existence: A Philosophical Inquiry, University Park: Penn State Press.
  • Guignon, C., 1993. “Authenticity, Moral Values, and Psychotherapy,” in The Cambridge Companion to Heidegger, Cambridge UK: Cambridge University Press.
  • Hannay, A., 1982. Kierkegaard, London: Routledge.
  • Haugeland, J., 1998. Having Thought: Essays in the Metaphysics of Mind, Cambridge MA: Harvard University Press.

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