Show MoreMississippi Burning
Mississippi is one of the United States of America. Situated in Southern America, across the river from Alabama, this state was the setting for one of the biggest civil rights cases in American history, and hence was also the setting for the 1988 film "Mississippi Burning," based roughly on a true story in 1964, "When America was at war with itself." Alan Parker, the director of this film, uses artistic medium to portray many concerns, including racism, courage, and justice. This essay will discuss racism while looking at the artistic medium used to help emphasize this prominent concern.
"Mississippi Burning," was primarily about racism, and consequently was the greatest…show more content…
Playing black gospel music in the background Parker displayed an intense sense of contrast as the camera panned through the intensely burning debris of a black church. This is very symbolic because black churches were the head of many black civil rights movements, and especially used by Martin Luther King. The burning may also represent people's emotions in the film, symbolising the burning of idealism, hope, bigotry, depression or even hate. It could even be a representation of the intense characters displayed in the film.
As before mentioned the film was for the most part about racism, and they were able to make this story as believable as possible by making it a fictionalisation of a true story. The director structured it like a mystery thriller to make it more entertaining for the view, but basing it on a true story gave the film some substance and background which the viewer was able to relate to. Most people who view the film were probably aware of the racist background the Americans had and were able to relate parts of the movie to their own knowledge and experiences. As well as for being for viewer entertainment the mystery thriller format was able to create relationships between the characters, for example F.B.I. agents Ward and Anderson. Many original thrillers established the
"Mississippi Burning" by Allan Parker - Analytical Essay: (Racism and Prejudice)
1097 WordsJan 19th, 20125 Pages
Mississippi Burning – Analytical Essay
"Mississippi Burning", directed by Allan Parker, is set in the state of Mississippi, 1964. In this film, Parker shows that he feels sorry for black people, by strongly portraying the levels of racism and injustice towards negroes, which was implemented by white people (the Ku Klux Klan in particular) within the state. The Ku Klux Klan was a group of white people who believed that negroes were filth, and that they didn’t deserve to live equally among white people: “We want beautiful babies, not ones with brown faces”. They conveyed their message through strong acts of violence, to instil fear in the hearts of all negroes, and the majority of the state’s population were forced into racism, in fear…show more content…
Throughout the scene you can hear a negro lady singing a sad song, which allows you to understand that black people aren’t equal, and that they are forced to feel like they don’t belong there: “take my hand, lead me home”. The song also makes you feel melancholy, and creates a strong sense of pathos. Parker effectively juxtaposes the tap scene with this scene, in order to give the audience a clear understanding of the racism and prejudice against black people in Mississippi.
Parker vividly shows examples of this violence, prejudice, and segregation, through strong scenes of the murder and bashing of black people and those who stood up for them. In the next scene, three civil rights boys are murdered by the KKK. Two of them are white, and one of them is black. They were driving towards the Mississippi border, with the intentions of introducing equality between black and white people into other states, after failing to do so in Mississippi. Knowing about their work, the KKK decided to get rid of them, so they sent some of their members to follow the three boys in their car. This pursuit scene is set in a very dark landscape, in which the civil rights boys are driving a car with its lights on. Parker effectively uses silence to build anticipation in the audience, until three other cars appear, pursuing the boys. These cars do not have their lights on, and they are concealed in the night. Ominous music starts to play, which slowly starts to build and